Sarah Moon: Villa Adrienne (2), 2009

Sarah Moon began photographing behind the scenes at fashion shows in the 1960s while working as a model in London. Her work quickly evolved, and soon Moon’s uniquely stylized images were in demand and she found herself fully immersed in photography, shooting for famous magazines like Vogue, Harper’s Bazaar, and Elle. She also began to take photographs outside the commercial world. When asked what she finds most fascinating about photography, Moon states: “I think the relationship between photography and time, the constant allusion to loss, to memory, to death . . . that strange alchemy between desire and chance. It's what my father called ‘wishful thinking.’” This strange alchemy is what allows her work to transform reality. Moon’s The Garden possesses profound beauty and elegance that can only be described as sublime. Transcendent of the physical world, her work flirts with the tenets of surrealism. Moon allows her viewer to be privy to a place where time is static, and memory is an indelible mark upon a dislocated landscape.

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