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Stop Time, guest edited by Hiroshi Sugimoto: Aperture No. 264, Fall 2026

Sale price$24.95

A time-traveling exploration of light, vision, and photography’s deepest questions, guest edited by Hiroshi Sugimoto.


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Description

Conceived by Hiroshi Sugimoto, this issue transforms the magazine into a kind of time machine, bringing together artists and writers to contemplate the origins of photography, the mysteries of color, and the miracle of vision.

Details

Format: Paperback
Number of pages: 152
Publication date: 2026-09-01
Measurements: 8.5 Ɨ 10.6 inches
ISBN: 978-1-59711-603-9

Support has been provided by members of Aperture’s Magazine Council: Jon Stryker and Slobodan Randjelović, Susan and Thomas Dunn, Kate Cordsen and Denis O’Leary, and Michael W. Sonnenfeldt, MUUS Collection.

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Stop Time, guest edited by Hiroshi Sugimoto: Aperture No. 264, Fall 2026
Stop Time, guest edited by Hiroshi Sugimoto: Aperture No. 264, Fall 2026 Sale price$24.95

Table of Contents

Features

THROUGH THE LOOKING GLASS
Hiroshi Sugimoto is playing the long game
Michael Famighetti

SECOND NATURE
The uncanny world of museum dioramas
Zoƫ Lescaze

SLICE OF LIFE
On photography’s origins and endings
Hiroshi Sugimoto

OBJECT LESSONS
Inside our guest editor’s cabinet of curiosities

HIGHER GROUND
Enoura Observatory is an artist’s refuge for contemplation
Marigold Warner

IN A DARKENED ROOM
The long shadow of the camera obscura
Lucy Ives

MODEL EQUATIONS
Man Ray’s Mathematical Objects
Regina Marler

TIME MACHINES
How photographers invented a new kind of present tense
Brian Dillon

LIGHT YEARS
Newton’s optical experiments unveiled a novel way of seeing the world
Brad Bolman

Columns

AGENDA
SanlƩ Sory, Hailun Ma, Baltimore photography, and Marianne Wex

REDUX
Iva Dixit on Melissa Auf der Maur’s ’90s rock photographs

BACKSTORY
Sean J Patrick Carney on Jason Fulford’s handheld exhibitions

TIMELINE
Phil Taylor on the history of gag photography

NOTEBOOK
Stephen Shore on how to sharpen your mind’s eye

CURRICULUM
Martine Gutierrez on Dada, The Little Mermaid, and Grace Jones

PORTFOLIO
Christina Catherine Martinez on Carlos Jaramillo’s South Central portraits

ENDNOTE
John Wilson on rare images, the old Times Square, and the history of concrete

The Photobook Review

IDOL TALK
Petra Collins speaks with Thora Siemsen about fandom and obsession

LIGHTS, CAMERA, PRINT
Danny King considers a new wave of film-related photobooks

SCREEN TIME
Rob Horning reviews a new book on VilƩm Flusser

Reviews of photobooks by Jack Davison, Kazuo Kitai, Newsha Tavakolian, and more

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