{"title":"Prints","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-teams=\"true\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eAperture’s limited-edition program offers museum-quality prints and portfolios by emerging artists and legendary photographers. Build your collection with unique prints available only through Aperture with proceeds supporting the artist and Aperture’s not-for-profit publishing, educational and public programs.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","products":[{"product_id":"suspended-2008","title":"Thomas Allen: Suspended, 2005","description":"\u003cp\u003e“This image makes me laugh every time I see it. I found the book with the woman seated at a desk some time ago but didn't have a clue as to what to do with it. I didn’t find a ‘mate’ until I began thinking about the limited-edition print ideas for Aperture. Truth be told, I found two books—but felt the one I used had more of the spark of tension needed for the final print—two coeds schooling us on the primal art of getting noticed.”—Thomas Allen\u003c\/p\u003e\n\u003cp\u003eTo create this image, American artist Thomas Allen selects the pulpiest of pulp paperbacks and lovingly slices out the cover figures, gently folding them into position and constructing witty scenes around them. He then photographs his carefully lit tableau with his four-by-five-inch camera, in shallow focus, using no digital effects whatsoever. This technique imparts a dreamy effect to his prints, reminiscent of the View-Master stereoscopic toy that is amongst his inspirations, delighting photography lovers, graphic designers, and bibliophiles alike.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053005446,"sku":"L0132","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0132-1_b4233a17-b223-4580-96f3-a87fcfa557c0.jpg?v=1763775327"},{"product_id":"doves-2008","title":"Jowhara AlSaud: Doves, 2008","description":"\u003cp\u003eThis image from Jowhara AlSaud’s series \u003cem\u003eOut of Line\u003c\/em\u003e comments on censorship in Saudi Arabia and its effects on visual communication. There are regions in Saudi Arabia where lines are still drawn across throats in photographs, figuratively cutting the head off. Faces are blurred on billboards. Skirts and sleeves are crudely lengthened with black markers on women’s outfits in magazines. Art, as everything else here, is governed by Islamic law. Figurative work is still considered by many to be sinful. \u003cbr\u003e\u003cbr\u003eAlSaud began applying the language of the censors to personal photographs, making line drawings, omitting faces, and keeping only the essentials. This preserved the anonymity of her subjects, which allowing her more freedom as it is still taboo to have one’s portrait hanging in a gallery or someone else’s home. When reduced to sketches, the images achieved enough distance from the original photographs that neither subjects nor censors could find them objectionable. They became autonomous, minimal narratives. In etching these drawings back into film and printing them in an analogue darkroom, she points to the malleability of the medium before even the advances and accessibility of digital manipulation. It becomes a highly coded and self-reflexive language.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053038214,"sku":"L0155","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0155-1_0d265ecb-05f4-48fd-8769-fcd401aea0b8.jpg?v=1763775330"},{"product_id":"ten-ten-2010","title":"Jowhara AlSaud: Ten\/Ten, 2010","description":"\u003cp\u003e“I’ve always been interested in how photography functions, and I try to undermine any documentary authority it may possess as a medium. I’ve always felt that a photograph functions more like a memory, in that it’s a singular perspective of a split second in time, entirely subjective and hence impressionable.”\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e—\u003c\/span\u003eJowhara AlSaud\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTen\/Ten,\u003c\/em\u003e by artist Jowhara AlSaud, is from her \u003cem\u003eOut of Line\u003c\/em\u003e series. This body of work began to explore censorship in Saudi Arabia and its effects on visual communication. While there is a lack of consistency from region to region, overall, images are highly scrutinized and controlled. Some superficial examples would be skirts lengthened, sleeves crudely added with black markers in magazines, or blurred faces on billboards. When reduced to sketches, the images achieved enough distance from the original photographs that neither subjects nor censors could find them objectionable; by etching these drawings back into film and printing them in a traditional darkroom, AlSaud points out how malleable it is as a medium, even before digital manipulation became so advanced and accessible. With these interventions emerges a highly coded and self-reflexive language.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053070982,"sku":"L0295","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0295-1_c4b0230f-b2d7-45db-84b4-0e3d987457e1.jpg?v=1763775333"},{"product_id":"the-rabbit-hole-2009","title":"Kristoffer Axen: The Rabbit Hole, 2009","description":"\u003cp\u003e“I experienced the tangible sensation of a collective state of waiting. Not a waiting that has its known motif, but an indefinite lingering, quietly swimming beneath our thoughts like an unsolved puzzle with pieces we don't recognize. \u003cem\u003eThe Rabbit Hole\u003c\/em\u003e, being a clear embodiment of this mood, is the reluctant invitation to that state, to that specific world, where the unspecified exists outside our peripheral.”—Kristoffer Axén\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Rabbit Hole\u003c\/em\u003e, by Kristoffer Axén, was featured in \u003cem\u003ereGeneration 2: Tomorrow’s Photographers Today\u003c\/em\u003e, the second book in Aperture's series turning the spotlight to the next generation of potential star photographers. The language created by Axén relates to cinema. His world—composed of digital tools—is depicted in almost monochrome tones and gives the impression of being a non-place in a non-time. The interaction between the scenes represented and the viewer's imagination gives way to fiction. The series, which evokes more of a nightmare than reality, enables him to question the world in which he lives.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053103750,"sku":"L0313","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0313-1_92d61efd-12b5-4fa2-8d45-0dcb2d015102.jpg?v=1763775336"},{"product_id":"harbor-2010","title":"Jessica Backhaus: Harbor, 2010","description":"\u003cp\u003eGerman artist Jessica Backhaus’s series \u003cem\u003eOnce, Still and Forever \u003c\/em\u003eis about human emotions—ones that all of us feel or have felt at some point in our lives. Her poetic and sometimes quite melancholy images are like a mosaic, a puzzle that celebrates the beauty of ordinary moments often ignored, as well as the residue of loves past and memories forgotten.\u003c\/p\u003e\n\u003cp\u003eThe image of the ball floating on the still, glistening water in \u003cem\u003eHarbor\u003c\/em\u003e is a familiar one, inviting a strong emotional connection with the viewer. The light-filled red ball stands out from the muted color planes, calling attention to itself as if it were a memory seeking to be recollected.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053136518,"sku":"L0555","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/l0555.jpg?v=1772478709"},{"product_id":"hideaway-2003","title":"Roger Ballen: Hideaway, 2003","description":"\u003cp\u003e\u003cem\u003eHideaway\u003c\/em\u003e, 2003, is part of a series by Roger Ballen called \u003cem\u003eShadow Chamber\u003c\/em\u003e. The image, like the series, focuses on the interactions between animals, objects, and people arranged in a unique tableau. Ballen’s photographs are situated in the area between fact and fiction; the viewer can sense ambiguity because of the prison-like cell setting paired with the painterly and sculptural qualities of the objects and humans.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053169286,"sku":"L0090","price":2500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0090-1_62343092-9253-49de-9cfa-fadc39c11fc4.jpg?v=1763775339"},{"product_id":"harvest-2007","title":"Wout Berger: Harvest, 2007","description":"\u003cp\u003e\u003cem\u003eHarvest\u003c\/em\u003e, 2007, by Dutch photographer Wout Berger, was published in the artist’s monograph \u003cem\u003eLike Birds\u003c\/em\u003e. He is interested in contaminated sites that he often photographs as idyllic landscapes. He says of his work, “the European landscape becomes more and more a nature-culture landscape where nature intervenes with human action. In my photography, I pronounce no value judgment; I experience culture as a niche within nature. Correctly the passage between culture and nature is interesting, especially those spots where nature reconquers areas on the cultural landscape. This, I observe at a small scale. Thus bits of nature can arise where cultivated landscape lies fallow awaiting a construction project.”\u003c\/p\u003e\n\u003cp\u003eBerger’s images capture a keen interest in the details of such landscapes. Yet, by omitting references to scale and landmarks such as the horizon, houses, people, or cars, his work verges on abstraction. This print was produced in conjunction with Aperture’s exhibition \u003cem\u003eNature as Artifice: New Dutch Landscape in Photography and Video Art\u003c\/em\u003e, coinciding with the four-hundredth anniversary of the arrival of Henry Hudson to New York Harbor aboard the Dutch vessel \u003cem\u003eHalve Maen\u003c\/em\u003e.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053234822,"sku":"L0156","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0156-1_1bc7be69-3c0f-419d-8f74-6506227a440e.jpg?v=1763775343"},{"product_id":"effigy-of-the-unmarked-but-persistent-passing-of-time-2007","title":"Colin Blakely: Effigy of the Unmarked but Persistent Passing of Time, 2007","description":"\u003cp\u003ePhotographing Keech Avenue, his Ann Arbor neighborhood, Colin Blakely explores the fading rituals of small-town Midwestern life. Bordered on one side by Michigan Stadium and by Almendinger Park on the other, the area plays an important role in the identity of the neighborhood, which receives thousands of visitors every year.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEffigy of the Unmarked but Persistent Passing of Time\u003c\/em\u003e tells the story of a community that is holding on to a familiar yet vanishing way of life. It is about a group of people living in Middle America—geographically, economically, politically—at a time when our notions concerning what this means are quickly changing. Without inscribing nostalgia or fatalism into his tableaux, Blakely acts as a quiet observer. As he explains, “this work is a celebration of—and possibly a eulogy to—this way of life.” \u003cbr\u003e\u003cbr\u003eThis work is part of the 2008 Aperture Portfolio Prize Limited-Edition Print Series.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053267590,"sku":"L0157","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0157-1_7554e83e-e32a-49c2-b767-8aac333f74ff.jpg?v=1763775346"},{"product_id":"journey-monument-valley-arizona-utah-1983","title":"Marilyn Bridges: Journey, Monument Valley, Arizona\/Utah, 1983","description":"\u003cp\u003eAperture is pleased to offer this bold gelatin-silver print from Marilyn Bridges’s stunning book \u003cem\u003eThis is Your Land\u003c\/em\u003e, a series of aerial photographs of the United States.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053300358,"sku":"L0228","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0228-1_207f2293-429c-4072-b381-154f5ce15848.jpg?v=1763775350"},{"product_id":"limbo-5-004-from-the-series-limbo","title":"Bianca Brunner: Limbo 5, from the series Limbo, 2004","description":"\u003cp\u003eBianca Brunner’s photographs are based on memory. 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In this colorful photograph, Bubley captures people waiting on the platform for the train to arrive, a telling moment in everyday life. This print is a perfect example of Esther Bubley’s ability to capture telling moments of our everyday lives. This c-print is printed on Kodak Supra. It is estate stamped, numbered, and sold in an archival paper folder.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053365894,"sku":"L0091","price":600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/l0019.jpg?v=1772478364"},{"product_id":"ellis-island-1956","title":"Shirley C. Burden: Ellis Island, 1956","description":"\u003cp\u003eShirley Burden’s haunting black-and-white print, \u003cem\u003eEllis Island\u003c\/em\u003e, 1956, is accompanied by a signed, limited-edition volume of his out-of-print masterwork, \u003cem\u003ePresence\u003c\/em\u003e.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053398662,"sku":"L0107","price":350.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0107-1_4d7a9260-b137-4030-8884-b287987b4d3d.jpg?v=1763775353"},{"product_id":"untitled-from-the-series-darkroom-2005-2006","title":"Michel Campeau: Untitled, from the series Darkroom, 2005-06","description":"\u003cp\u003e“For a photographer like myself, who in fact has not worked in a darkroom for more than twenty years, these images are horribly familiar. Those fix stains in the sink, the eerie red light, reminiscent of a brothel, the wonky enlarger, and a profusion of different tapes holding the whole thing together. . . . I feel lucky to have escaped and yet there is something very alluring about these images..”—Martin Parr\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUntitled\u003c\/em\u003e by the Canadian artist Michel Campeau depicts the topography of the private spaces that comprise his series \u003cem\u003eDarkroom\u003c\/em\u003e, 2005-2006. In \u003cem\u003eDarkroom\u003c\/em\u003e, Campeau photographed over seventy-five darkrooms in his native Canada at close range. Campeau evokes the feeling of intimate nostalgia for the photographic processes and the spaces in which they were practiced. The resulting images are simple yet striking depictions of an increasingly disappearing environment.\u003cbr\u003e\u003cbr\u003eThe artist notes that this series of work shines a spotlight on, “the bric-a-brac of plumbing and electricity, the ventilation-system engines, the posted iconography, the weirdness of ‘planets’ envisioned at the bottom of chemical trays, the splattering of silver salts, the wear of equipment and the countdown of timers that defies the disappearance of the panchromatic spectre.” As these spaces give way to the rise of digital photography, the images of \u003cem\u003eDarkroom\u003c\/em\u003e capture a kind of endangered species. 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Capa portrays Picasso and Gilot with levity and rich tonal ranges, making them seem as alive in the photograph as they were in France in 1948. This gelatin-silver print is stamped and initialed by Cornell Capa.\n\nThis gelatin-silver print is accompanied by a hardcover copy of \u003cem\u003eRobert Capa: Photographs\u003c\/em\u003e and a vellum overlay with copyright text and sold in an archival paper folder.","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053496966,"sku":"L0110","price":2000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/l0110.jpg?v=1772478076"},{"product_id":"untitled-lost-river-2009-from-the-suburbia-mexicana-project","title":"Alejandro Cartagena: Untitled Lost River, 2009, from the Suburbia Mexicana Project","description":"\u003cp\u003e“I first took a picture a year and a half before this final one. 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As it expands outward from the city center in the last twenty years, increased demand for water has necessitated the rerouting of many local rivers and streams, to dams to supply water for the nine cities of the metropolitan area of Monterrey. The region’s scarce local rivers have also dried out, as suburbia’s approximately 300,000 new houses move closer, destroying vegetation that sheltered and preserved the riverbeds’ running water. 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