{"title":"Portraits","description":"","products":[{"product_id":"doves-2008","title":"Jowhara AlSaud: Doves, 2008","description":"\u003cp\u003eThis image from Jowhara AlSaud’s series \u003cem\u003eOut of Line\u003c\/em\u003e comments on censorship in Saudi Arabia and its effects on visual communication. There are regions in Saudi Arabia where lines are still drawn across throats in photographs, figuratively cutting the head off. Faces are blurred on billboards. Skirts and sleeves are crudely lengthened with black markers on women’s outfits in magazines. Art, as everything else here, is governed by Islamic law. Figurative work is still considered by many to be sinful. \u003cbr\u003e\u003cbr\u003eAlSaud began applying the language of the censors to personal photographs, making line drawings, omitting faces, and keeping only the essentials. This preserved the anonymity of her subjects, which allowing her more freedom as it is still taboo to have one’s portrait hanging in a gallery or someone else’s home. When reduced to sketches, the images achieved enough distance from the original photographs that neither subjects nor censors could find them objectionable. They became autonomous, minimal narratives. In etching these drawings back into film and printing them in an analogue darkroom, she points to the malleability of the medium before even the advances and accessibility of digital manipulation. It becomes a highly coded and self-reflexive language.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053038214,"sku":"L0155","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0155-1_0d265ecb-05f4-48fd-8769-fcd401aea0b8.jpg?v=1763775330"},{"product_id":"ten-ten-2010","title":"Jowhara AlSaud: Ten\/Ten, 2010","description":"\u003cp\u003e“I’ve always been interested in how photography functions, and I try to undermine any documentary authority it may possess as a medium. I’ve always felt that a photograph functions more like a memory, in that it’s a singular perspective of a split second in time, entirely subjective and hence impressionable.”\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e—\u003c\/span\u003eJowhara AlSaud\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTen\/Ten,\u003c\/em\u003e by artist Jowhara AlSaud, is from her \u003cem\u003eOut of Line\u003c\/em\u003e series. This body of work began to explore censorship in Saudi Arabia and its effects on visual communication. While there is a lack of consistency from region to region, overall, images are highly scrutinized and controlled. Some superficial examples would be skirts lengthened, sleeves crudely added with black markers in magazines, or blurred faces on billboards. When reduced to sketches, the images achieved enough distance from the original photographs that neither subjects nor censors could find them objectionable; by etching these drawings back into film and printing them in a traditional darkroom, AlSaud points out how malleable it is as a medium, even before digital manipulation became so advanced and accessible. With these interventions emerges a highly coded and self-reflexive language.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053070982,"sku":"L0295","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0295-1_c4b0230f-b2d7-45db-84b4-0e3d987457e1.jpg?v=1763775333"},{"product_id":"alicia-in-golden-dress","title":"Michal Chelbin: Alicia in Golden Dress, 2005","description":"\u003cp\u003e“The images in this series are an attempt to capture human stories in everyday life, those that exist in the space between the odd and the ordinary.”—Michal Chelbin\u003cbr\u003e\u003cbr\u003eIn the introduction to the artist’s monograph, \u003cem\u003eStrangely Familiar: Acrobats, Athletes, and Other Traveling Troupes\u003c\/em\u003e (Aperture, 2008), Leah Ollman writes that in \u003cem\u003eAlicia in a Golden Dress\u003c\/em\u003e, “a self-possessed young woman in radiant gold displays her poise in a dancer’s turned-out stance. Like a showpiece or a pet, she performs on command under the watchful eye of her grizzled father, who stands behind their equally battered car.”\u003cbr\u003e\u003cbr\u003eChelbin’s most frequent subjects are children and adolescents. As she states, “My aim is to record a scene where there is a mixture of direct information and enigmas and in which there are visual contrasts between young and old, large and small, normal and abnormal. My playground lies between the private and the public, between fiction and documentary.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053562502,"sku":"L0134","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0134-1_14798009-06ac-48ff-83fa-de50b304d548.jpg?v=1763775366"},{"product_id":"paulina-ukraine-2005","title":"Michal Chelbin: Paulina, Ukraine, 2005","description":"\u003cp\u003e“I search for people who have a legendary quality about them—a mix between odd and ordinary.”—Michal Chelbin\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePaulina\u003c\/em\u003e is an emotionally and visually striking image, masterfully composed and lit. In her first monograph, \u003cem\u003eStrangely Familiar: Acrobats, Athletes, and Other Traveling Troupes\u003c\/em\u003e (Aperture, 2008), Michal Chelbin photographs performers and wrestlers, mostly children and adolescents, from small towns in Ukraine, Eastern Europe, England, and Israel. Often, the sitters are pictured in costume at home or other nearby locations, away from the stage. Chelbin addresses universal themes—family, aspirations to normality, puberty, the desire for fame—all the while offering a glimpse into worlds both strange and familiar.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053595270,"sku":"L0158","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/l0158.jpg?v=1772477944"},{"product_id":"two-athletes-ukraine-2006","title":"Michal Chelbin: Two Athletes, Ukraine, 2006","description":"\u003cp\u003e“The images in this series are an attempt to capture human stories in everyday life, those that exist in the space between the odd and the ordinary.”—Michal Chelbin\u003cbr\u003e\u003cbr\u003eChelbin's most frequent subjects are children and adolescents, as in the case of \u003cem\u003eTwo Athletes\u003c\/em\u003e. As she states, “My aim is to record a scene where there is a mixture of direct information and enigmas and in which there are visual contrasts between young and old, large and small, normal and abnormal. My playground lies between the private and the public, between fiction and documentary.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053628038,"sku":"L0122","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0122-1_f0166ece-0536-4e2a-81c8-962857a2d0a1.jpg?v=1763775369"},{"product_id":"floating-2005","title":"Kelli Connell: Floating, 2005","description":"\u003cp\u003e“This work is an honest representation of the duality or multiplicity of the self in regard to decisions about intimate relationships, family, belief systems, and lifestyle options. I am interested in not only what the subject matter says about myself, but also what the viewer's response to these images says about their own identities and social constructs.”—Kelli Connell\u003cbr\u003e\u003cbr\u003eOn the surface, Kelli Connell’s series, \u003cem\u003eDouble Life\u003c\/em\u003e, appears to be documenting the relationship between two women. Closer examination reveals that Connell uses a single individual to represent both sides of an evolving relationship, digitally combining multiple negatives of the same model. Through this work, Connell explores identity, gender, sexuality, and the duality of the “self.” \u003cem\u003eFloating \u003c\/em\u003eperfectly demonstrates the subtle and restrained style of an artist engaged in big ideas.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053759110,"sku":"L0159","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0159-1_e62ebe76-0e9e-498d-a45f-99ea68afb6f7.jpg?v=1763775375"},{"product_id":"hyper-no-34-from-the-series-hyper-2007-2009","title":"Denis Darzacq: Hyper No. 34, from the series Hyper, 2007-09","description":"\u003cp\u003e“The kids in Denis Darzacq’s photographs want to get away, sort of, or at least they want to capture an instant of freedom in a society that surrounds them, cocoons them in the often spurious choices of the marketplace—a full supermarket of interchangeable products that seems to go on forever. Darzacq’s kids have the appearance of defying not only their confinement by capitalism but gravity itself.”—Lyle Rexer, \u003cem\u003ePhotograph\u003c\/em\u003e magazine\u003c\/p\u003e\n\u003cp\u003eIn this photograph, Denis Darzacq uses a photographic construction to juxtapose two realities: the supermarkets’ backdrop that has become our social and living spaces; and the proud strength of young bodies in movement, refusing to be subjugated. The street dangers in these photographs challenge the very laws of gravity by self-discipline and hard work, performing ecstatic and gratuitous acts in spaces designed to promote conformism and consumerism.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053955718,"sku":"L0594","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0594-1_c7af306f-202b-4bb1-a445-1f3a121ab22d.jpg?v=1763775381"},{"product_id":"untitled-couple-on-the-platform-from-subway1980","title":"Bruce Davidson: Untitled (Couple on the Platform), from the series Subway, 1980","description":"\u003cp\u003eFirst published by Aperture in 1986, Bruce Davidson’s \u003cem\u003eSubway\u003c\/em\u003e, a classic of photographic literature, has garnered critical acclaim both as a document of a unique moment in the cultural fabric of New York City and for its phenomenal use of extremes of color and shadow set against flash-lit skin. This depiction of young love on the New York City subway platform is a newly included photograph from this seminal series, published for the first time in the third edition of \u003cem\u003eSubway\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eIn Davidson's own words, “the people in the subway, their flesh juxtaposed against the graffiti, the penetrating effect of the strobe light itself, and even the hollow darkness of the tunnels, inspired an aesthetic that goes unnoticed by passengers who are trapped underground, hiding behind masks, and closed off from each other.”\u003cbr\u003e\u003cbr\u003eThis specially produced archival pigment ink print was printed under the artist’s supervision at Shoot Digital, New York.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514053988486,"sku":"L0553","price":2800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0553-1_504667b2-fa58-492e-933d-8d87784b3b4c.jpg?v=1763775384"},{"product_id":"untitled-no-32-from-the-series-self-portraits-2010","title":"Jen Davis: Untitled No. 32, from the series Self-Portraits, 2010","description":"\u003cp\u003e\u003cem\u003eUntitled No. 32\u003c\/em\u003e was made by Jen Davis in 2010, in a series of self-portraits attempting to communicate roles of beauty and identity, focusing on the body. Self-observation is central to Davis’s work, which is featured in \u003cem\u003ereGeneration 2: Tomorrow’s Photographers Today\u003c\/em\u003e, the second book in Aperture’s series shining a spotlight on the next generation’s rising stars.\u003cbr\u003e\u003cbr\u003eDavis confronts the image of a body whose physical appearance is hard to bear. She assumes two roles: as subject and object, she is both observer and observed. The artist explains, “What interested me about the image was the way the body was emerging from the center of the frame and bed. It felt heavy to me due to the dark clothing, yet the image had an ethereal lightness. I liked this contrast and felt that it added drama to the image.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514054054022,"sku":"L0314","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0314-1_68a1906e-12a1-409f-ae56-0c4e479056ba.jpg?v=1763775391"},{"product_id":"untitled-2009","title":"Dru Donovan: Untitled, 2009","description":"\u003cp\u003e“I made this portrait a few days after Christmas, while back home visiting a childhood friend and her twin boys. It was too cold to go outside, so I made photographs to distract them from their restlessness.”—Dru Donovan\u003cbr\u003e\u003cbr\u003eDru Donovan bases her work mainly on performance. She asks her subjects to express themselves through their bodies. Their poses, which are sometimes surprising, are intended to illustrate their emotional states of desires. Donovan encourages a certain freedom, letting her models move in front of her lens without intervention. By focusing on the physical presence—the body—of her models, Donovan manages to refresh the genre of portraiture, even when using a conventional technique.\u003cbr\u003e\u003cbr\u003eDonovan’s \u003cem\u003eUntitled\u003c\/em\u003e, 2009, was featured in \u003cem\u003ereGeneration 2: Tomorrow’s Photographers Today\u003c\/em\u003e, the second book in Aperture’s series shining a spotlight on the next generation’s rising stars.\u003cbr\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514054381702,"sku":"L0315","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0315-1_82fb1057-663b-4649-9a80-7b0f0c366832.jpg?v=1763775400"},{"product_id":"anju-2005","title":"Elena Dorfman: Anju, 2005","description":"\u003cp\u003e“\u003cem\u003eAnju\u003c\/em\u003e is the signature image of the series because she reflects what I strove for while attempting to illustrate this culture: the viewer can see who the person is despite the obvious signs that she is in another world, space, atmosphere. She is self-assured as the embodiment of her chosen avatar.”—Elena Dorfman\u003c\/p\u003e\n\u003cp\u003eExplorations of identity through portraiture are at the forefront of the artist’s work. In this series, Dorfman looks at the world of “cosplay” (the merging of “costume” and “play”) in which cosplayers dress up in costumes that represent characters from video games, animated films, and Japanese graphic novels. This exploding subculture, adapted from the Japanese “geek” craze, flourishes at convention centers, college dorms, private clubs, and homes across the country, every day of the year. It is a private world that continues to grow. In her previous series, \u003cem\u003eStill Lovers\u003c\/em\u003e, the artist examined the intimate and domestic lives of men and women who live with life-sized silicone sex dolls.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514054414470,"sku":"L0124","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/l0124.jpg?v=1772477449"},{"product_id":"hear-our-voice-1934","title":"Arnold Eagle: Hear Our Voice, 1934","description":"\u003cp\u003eA copy of \u003cem\u003eAt Home Only With God: Believing Jews and Their Children\u003c\/em\u003e, Arnold Eagle’s document of New York’s Orthodox Jews of the 1930s, accompanies this limited-edition gelatin-silver print.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514054578310,"sku":"L0230","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0230-1_d6dd7ac0-0415-4112-89cd-67d91829405f.jpg?v=1763775410"},{"product_id":"sarah-vaughan-new-york-city-november-1988","title":"Larry Fink: Sarah Vaughan, New York City, November 1988","description":"\u003cp\u003eA practitioner of the “snapshot aesthetic,” Larry Fink—along with Diane Arbus, Robert Frank and Garry Winogrand—has redefined the way we look at life around us. Taken from amid the crowd rather than outside it, Fink’s images reveal the sensitive core of interpersonal relationships—a quality nourished by his tutelage with Lisette Model. Fink’s photographs speak to us so deeply because they possess both a particular understanding of and remarkable insight into the social, political, and economic circumstances of their time.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514054840454,"sku":"L0135","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0135-1_68c71a53-5964-45cd-bfcd-c0aa5ea5e08f.jpg?v=1763775423"},{"product_id":"actress-diane-keaton-from-another-woman-published-october-23-2005","title":"Tierney Gearon: Actress Diane Keaton, from \"Another Woman\" published October 23, 2005","description":"\u003cp\u003eThis limited-edition photograph by American artist Tierney Gearon was featured in \u003cem\u003eThe New York Times Magazine Photographs\u003c\/em\u003e (Aperture, 2011), edited by Kathy Ryan. It originally appeared in the story “Another Woman”, published in \u003cem\u003eThe New York Times Magazine\u003c\/em\u003e on October 23, 2005.\u003cbr\u003e\u003cbr\u003eAs Gearon recalls about the experience: “A lot of actors don’t like having their photos taken. When Diane Keaton arrived at my house for this shoot, she wore a hat. As soon as we began, she took the hat off and hid behind it. I think she was surprised that I said: ‘Okay, then, if you want to hide your face, let’s just do it instead of this peek-a-boo thing.’ I asked her to lie on the ground in this alley and put her hat over her face.”\u003cbr\u003e\u003cbr\u003eAlthough the location, make-up, lights, and assistants have all been pre-arranged, there is a fleeting moment of strangeness that Gearon has managed to capture, making the figure of Keaton simply another element in an interesting picture. Like most of Gearon’s other non-editorial works, there is a strong sense of narrative in this image, but the viewer is uncertain what that narrative exactly is.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514056872070,"sku":"L0563","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0563-1_8e0b41f8-b990-46fa-b71a-fc62bfea201d.jpg?v=1763775442"},{"product_id":"christine-sawunda-from-the-series-kitintale-2008","title":"Yann Gross: Christine Sawunda, from the series Kitintale, 2008","description":"\u003cp\u003e“Christine Sawunda is one of the first Ugandan skateboarders. This now-twenty-year-old girl lives in Kitintale and loves the magic feeling of riding on a skateboard. In the last two years, she has also become a famous local singer, performing almost every week at the Obama Club, next to the bus station in Kitintale. Through skateboarding, and without government help or support from any organization, the teenagers of Kitintale have managed to ward off boredom and the negative effects caused by the poverty of their daily lives. When they are on their “Fantasy Island,” which is their skate park and their pride and joy, the skateboarders are not far from paradise: they feel freedom and a sense of community that allows them to dream and have prospects for the future.\"—Yann Gross\u003c\/p\u003e\n\u003cp\u003eSwiss photographer Yann Gross is passionate about skateboarding. In Kitintale, in the suburbs of Kampala, he encountered a group of skaters known for having built the first and only half-pipe in Uganda. Gross was immediately drawn in by the vernacular infrastructure and the integrative function it played among the local youth. He eventually became a full-fledged member of the group, to the point where he even co-organized the first skateboarding contest in the African Great Lakes region. Kitintale goes beyond mere documentary narratives, clichés, or paternalistic discourses and offers a humanistic account of contemporary Africa.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514059034758,"sku":"L0531","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0531-1_4ac01b6a-f387-45e5-8739-e63beb19d0d9.jpg?v=1763775455"},{"product_id":"patrick-bed-2007-from-the-series-he-opened-up-somewhere-along-the-eastern-shore-2007","title":"Jason Hanasik: Patrick (Bed), from the series He Opened Up Somewhere Along the Eastern Shore, 2007","description":"\u003cp\u003e“We, the men of these images and myself, might not sit at an equal distance from the center, but we all have a complicated relationship to what is considered normal—to our benefit and our destruction.”—Jason Hanasik\u003cbr\u003e\u003cbr\u003eDespite commonly held assumptions, complex visual treatments of straight male masculinity are hard to come by. One could even argue that artists avoid the subject, perhaps for fear of veering uncontrollably into the realm of homoeroticism, a trap of sorts that presents itself at both the most and least overt ends of the masculine continuum. In light of this trend, Jason Hanasik’s \u003cem\u003eHe Opened Up Somewhere Along the Eastern Shore\u003c\/em\u003e is quite remarkable. Invoking the Soldier—commonly a tired, shop-worn masculine trope—Hanasik upends expectations, creating a beguiling portrayal of a gender (and military) in limbo, where individual men struggle to navigate the cultural expectations put upon them.\u003cbr\u003e\u003cbr\u003eEmotion and vulnerability permeate the lives of Hanasik’s soldiers, Steven and Patrick, as they vacillate between the hyper-masculine world of military service and the more delicate reality of their home lives. Steven’s self-portraits, taken on duty in Iraq, show him in various states of composure, sometimes confident and collected, sometimes weary or mournful. Patrick’s expressions are more cautious, perhaps reflecting a self-consciousness about how the camera could cast him. Even so, Patrick’s surroundings betray his sensitivities—whether basking in a beam of sunlight or standing by his front door, complete with a “welcome” sign that bears an uncanny resemblance to him, Patrick’s softer side emerges tacitly from his shell.\u003cbr\u003e\u003cbr\u003eHanasik, who is openly gay, won his subjects’ trust to such an extent that, in portraying them as the multifaceted people that they are, he was allowed to photograph them in traditionally homoerotic poses—Patrick in bed, Steven in a meadow. It is a testament to Hanasik’s skill both as an artist and curator (since he did not take all of these photos himself) that these images do not tip the project into an overly sexualized realm. His work questions our proclivities to pigeonhole and underestimate, encouraging us to find comfort in our ambiguities and emotion where we least expect it.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514059493510,"sku":"L0191","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0191-1_bc0d0bbe-867b-4d1f-8254-323e80286dfa.jpg?v=1763775462"},{"product_id":"untitled-2006","title":"Teun Hocks: Untitled, 2006","description":"\u003cp\u003e“I tried to make an image about desire and about the strange feeling that something is missing, although everything seems so peaceful and romantic.”—Teun Hocks\u003c\/p\u003e\n\u003cp\u003ePerformer, photographer, and painter Teun Hocks plays the role of “an innocent Everyman in an always strange and often funny world.” In scenes that range from burlesque to tragicomic, his lonely, Buster Keaton—like persona perseveres through odd and unforgiving environments, struggling to find stable ground in an unstable, often absurd universe.\u003cbr\u003e\u003cbr\u003eHocks begins by sketching various one-person stories, then poses himself in a carefully plotted setup against his own painted backdrop. After photographing the scene, he paints in oil on top of the resulting oversize gelatin-silver print. His wit, elaborate technique, and rich colors combine to form an irrepressibly original oeuvre. Hocks painted the background and made the rock out of wood and paper to create this image. When setting up the shot, he took care in his use of natural lighting; he then asked his brother to direct his dog to sit as depicted in his preliminary drawings. To produce this image for Aperture in a larger edition, Hocks scanned the black-and-white 6-by-9-inch negative and digitally colored it.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514059821190,"sku":"L0115","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0115-1_9112dc77-ca78-4e89-801d-b2547069945a.jpg?v=1763775464"},{"product_id":"my-dog-royce-1-2005","title":"Takashi Homma: My Dog, Royce 1, 2005","description":"\u003cp\u003eFor over a decade, Takashi Homma has turned his lens toward Tokyo’s suburban environs and urban center. His vision of Tokyo has navigated a finely nuanced line between sterility and sentimentality, presenting a sleek, contemporary vision of a postmodern megalopolis populated by a new generation of video-game aficionados and enervated fashionistas, but also the site of cutting-edge architectural experiments and quiet rooftop gardens. Homma deftly picks up the baton from earlier Japanese photographers such as Daido Moriyama, and crafts a contemporary portrait of the modern-day metropolis that is both cinematic and complex.\u003c\/p\u003e\n\u003cp\u003eAs Ivan Vartanian writes of the artist’s most current work, “Homma’s once dispassionate eye now shows a modicum of connectivity, of personal involvement. The photographer even inserts himself into his photographs and begins to address themes that are somewhat private: his studio, his desk, his dog, and even, as in his retitling of an earlier 2001 photograph \u003cem\u003eMyself\u003c\/em\u003e. The work \u003cem\u003eMy dog, Royce 1, 2005\u003c\/em\u003e chosen as the cover image for the artist’s monograph, is just such an example of this connectivity.”\u003c\/p\u003e\n\u003cp\u003eThis limited edition print coincided with the release of \u003cem\u003eTakashi Homma: Tokyo\u003c\/em\u003e (Aperture, 2008), the first Homma volume to be published for an international audience. The book compiles selections from each of his previously published titles about the city, including \u003cem\u003eTokyo Suburbia\u003c\/em\u003e, his seminal work, now considered a contemporary classic.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514060116102,"sku":"L0140","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0140-1_091ce754-ef4d-4e03-bb1e-19deeeb14c35.jpg?v=1763775468"},{"product_id":"shanghai-n-d","title":"Hiroji Kubota: Shanghai, N.D.","description":"\u003cp\u003eBorn and educated in Japan, Hiroji Kubota began his photographic career in the United States, working with Magnum Photos to cover Asia beginning in 1971, including a rare 1,000-day tour of China from 1979 to 1984, during which he made more than 200,000 photographs. The resulting book and exhibit, \u003cem\u003eChina\u003c\/em\u003e, appeared in 1985, and have been exhibited and published internationally ever since. This Cibachrome print is the cover image for the Aperture book \u003cem\u003eChina: Fifty Years Inside the People’s Republic.\u003c\/em\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514063392902,"sku":"L0072","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0072-1_38b8f4fa-e395-46f3-94f8-c4719fd92033.jpg?v=1763775489"},{"product_id":"migrant-mother-nipoma-ca-1936-2nd-printing","title":"Dorothea Lange: Migrant Mother, Nipoma, CA, 1936, 2nd printing","description":"\u003cp\u003e\u003cem\u003eMigrant Mother\u003c\/em\u003e, a timeless image of hardship and courage and Dorothea Lange’s most iconic image, was made under the auspices of the Farm Security Administration (FSA) initiative during America’s Great Depression. While walking through a pea picker’s camp on the way home from an FSA field trip; Lange noticed this thirty-two-year-old woman with her seven children. There was no work and they were living on wild birds caught by the children. She could not move on, she told Lange, because she had sold the tires from her car for food. The second photogravure edition of \u003cem\u003eMigrant Mother\u003c\/em\u003e, printed by Aperture in conjunction with the Dorothea Lange Collection of the Oakland Museum, California, is an excellent addition to any collector’s portfolio.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514063556742,"sku":"L0235","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0235-1_823be68b-01b1-4018-96d9-2b4fc651fc71.jpg?v=1763775493"},{"product_id":"barbara-bennett-worlds-smallest-mother-and-ed-bennett-columbus-ohio-1976","title":"Randal Levenson: Barbara Bennett, “World’s Smallest Mother,” and Ed Bennett, Columbus, Ohio, 1976","description":"\u003cp\u003eIn the summers of the 1970s, Randal Levenson traveled with sideshows and carnivals in the United States and Canada, living and working in their community, first as an outsider and later as an intimate, capturing the intelligence, wit, and warmth of the carnival characters. Levenson portrayed the performers in their private moments, relaxing amid traveling gear, or posed with their families and personal mementos. Though powerfully new in their time—intimate, frank, and sometimes shocking—the images also manage to evoke the America of hand-painted signs, cotton candy, and Saturday afternoons spent strolling the midway. In 1982, Aperture published Levenson's intimate document of the carnival life, \u003cem\u003eIn Search of the Monkey Girl\u003c\/em\u003e, which features a text by legendary performance artist and writer Spalding Gray.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514064932998,"sku":"L0220","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0220-1_553fb8c5-74d8-4403-9e68-1437830656d2.jpg?v=1763775505"},{"product_id":"escape-2009","title":"Margo Ovcharenko: Escape, 2009","description":"\u003cp\u003e“I want there to be an article in the declaration of children’s rights and human rights in every constitution that gives everyone the right to escape. I would like statistics in a well-known web encyclopedia on how many young people fell head-over-heels in love for the first time this year, not only how many died from unfortunate sexual experiences, bulimia, and homemade LSD. I want to know the average age of people who will write a collected book of verse, not only how many girls get plastic breasts.”—Margo Ovcharenko Margo\u003c\/p\u003e\n\u003cp\u003e Ovcharenko’s \u003cem\u003eUntitled\u003c\/em\u003e from the series Escape, was featured in \u003cem\u003ereGeneration 2: Tomorrow’s Photographers Today\u003c\/em\u003e, the second book in the Aperture’s series shining a spotlight on the next generation’s rising stars. Ovcharenko focuses on Russian youth, with whom she shares early experiences of adult life. She photographs young people with whom she has become friends or with whom she has a close relationship. She also chooses to work under natural light to communicate the affection of the bond that links her to her subjects. She never tries to be too close, too intrusive—or, conversely, too remote. Her images convey a sense of hope that these youth should be able to escape from the restrictive circumstances in their lives, whether it's a city where they feel ill at ease, a job, a school lesson. Passion, energy, and opportunity are her wishes for the world.\u003c\/p\u003e\n\u003cp\u003eProceeds from the sale of this work support the artist and Aperture’s not-for-profit publishing, educational and public programs\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514069586054,"sku":"L0312","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0312-1_fe4e7736-f2f4-43e2-9cb2-19ac5bfc74c6.jpg?v=1763775549"},{"product_id":"julia-at-5-from-the-series-elsa-and-viola-2010","title":"Nelli Palomäki: Julia at 5, from the series Elsa and Viola, 2010","description":"\u003cp\u003e“Nelli Palomäki questions the definition of portraiture, which she has chosen to work with in conventional black and white. She states that her models remain elusive. The portraits may bear a certain relationship to their subjects’ features, but their faces look different. Palomäki questions the notion of identity and resemblance by sharing her doubts with us. She sees her portraits as pieces of puzzles that might represent her memory.”—Nathalie Hershdorfer\u003c\/p\u003e\n\u003cp\u003eNelli Palomäki’s \u003cem\u003eJulia at 5\u003c\/em\u003e was featured in \u003cem\u003ereGeneration 2: Tomorrow’s Photographers Today\u003c\/em\u003e, the second book in the Aperture series shining a spotlight on the next generation’s rising stars. It is a portrait of her sister’s daughter, whom Palomäki has been photographing since she was three. Working with this subject who she knows very well, the artist captures the honesty and fragility of children’s behavior being photographed; the way they don't yet control their body and face as adults do, and at the same time some of them seem as independent as adults are. Palomäki’s work seeks the perfect picture but allows the portrait to surprise her, whether with its strength or failure. As the artist states “If I succeeded in taking the perfect picture, I would hardly continue shooting.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514070044806,"sku":"L0323","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0323-1_a6d351ee-8061-4097-8df6-808947392e1b.jpg?v=1763775556"},{"product_id":"after-the-dance-jacobs-pillow-2005","title":"Sylvia Plachy: After The Dance, Jacob’s Pillow, 2005","description":"\u003cp\u003e“After the dance and after the last bow, the dancers gathered at the foot of the stage at Jacob’s Pillow. They sat there and took questions from the audience when I noticed that one pair of legs was still dancing.”—Sylvia Plachy\u003cbr\u003e\u003cbr\u003eSylvia Plachy, the first photographer assigned to shoot the opening photograph of the legendary Goings On About Town section of \u003cem\u003eThe New Yorker\u003c\/em\u003e, explores in her work the city’s dynamics from the inside out, from the Mermaid Parade to camels walking through town on the way to the circus, and sometimes farther afield, as in the case of this beautiful limited-edition photograph \u003cem\u003eAfter the Dance, Jacob's Pillow 2005, \u003c\/em\u003ewhich was included in her latest Aperture book, \u003cem\u003eGoings On About Town: Photographs for The New Yorker\u003c\/em\u003e (co-published with \u003cem\u003eThe New Yorker\u003c\/em\u003e, 2007).\u003cbr\u003e\u003cbr\u003eHere, the artist captures a lush glimpse of dancers after a performance, with an eye and composition that is quintessentially Plachy. Plachy’s particular humor and her way of looking made the artist perfectly suited for the assignments she undertook, and the resulting color photographs offer up a joyful feast for all who behold them. This is a wonderful opportunity to own a work of art created by one of the medium’s most respected practitioners.\u003cbr\u003e\u003cbr\u003ePhotographer Richard Avedon perhaps summed it up best when he said of Sylvia Plachy: “She makes me laugh and she breaks my heart. She is moral. She is everything a photographer should be.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514071158918,"sku":"L0148","price":950.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0148-1_a137df56-28c4-4beb-9a08-7ae8ab874e9a.jpg?v=1763775565"},{"product_id":"christine-2003","title":"Richard Renaldi: Christine, 2003","description":"\u003cp\u003eRichard Renaldi is a photographer in love with looking. He searches for the brief encounter, that fleeting moment when a stranger opens his life to him and, consequently, to the viewer. His trust in the descriptive and empathic ability of the camera verges on that of his nineteenth- and early-twentieth-century predecessors. Renaldi’s work melds two classic photographic genres, portrait, and straight landscape, into a single descriptive frame that speaks as much to a sense of the individuals before the lens as it does to the spaces they inhabit.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChristine\u003c\/em\u003e, 2003, is part of a series of portraits Renaldi shot in Fresno, California. As the artist drove around in a rental car scouting out people and shots, he saw Christine walking down the street with her boyfriend. “I thought she was quite lovely and luckily for me, she agreed to pose for the photograph,” says Renaldi. The couple said that they were currently homeless, so they asked Renaldi to send the photograph to a relative. He has since tried to locate Christine to let her know that she is on the cover of \u003cem\u003eRichard Renaldi: Figure and Ground\u003c\/em\u003e (Aperture, 2006), but has had no luck.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514072076422,"sku":"L0118","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0118-1_06f5168d-7cdf-4284-a2b0-0f3bef95af3e.jpg?v=1763775571"},{"product_id":"khyentse-rinpoche-shechen-monastery-nepal","title":"Matthieu Ricard: Khyentse Rinpoche, Shechen Monastery, Nepal","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eDuring the last years of Khyentse Rinpoche’s life, Ricard traveled with him through India, Bhutan, Tibet, and Nepal, in the process creating a remarkable portrait of a great spiritual leader of our time. These Type-R prints are mounted on hand-molded Tibetan paper with an archival backing board and bear colophon labels stamped with the seal of the Shechen Monasteries\u003c\/span\u003e\u003cspan\u003e. The edition size for this photograph has been amended to the printing of only 24 and 8 artist’s proofs.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514072371334,"sku":"L0221","price":600.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0221-1_00d0b7a9-56ec-45e2-b91b-4aa033cecee2.jpg?v=1763775574"},{"product_id":"young-man-with-shield-1997-98","title":"Andrea Robbins \u0026 Max Becher: Young Man with Shield, 1997-98","description":"\u003cp\u003e“The primary focus of our work is what we call the transportation of place—situations in which one limited or isolated place strongly resembles another distant one. Everywhere, not only in the new world, such situations are accumulating and accepted as genuine locales. Traditional notions of place, in which culture and geographic location neatly coincide, are being challenged by legacies of slavery, colonialism, holocaust, immigration, tourism, and mass communication. Whether the subject is Germany in Africa, Germans dressing as Native Americans, American towns dressed as Germany, New York in Las Vegas, New York in Cuba, or Cuba in exile, our interest tends to be a place out of place with its various causes and consequences.”—Andrea Robbins and Max Becher\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYoung \u003c\/em\u003e\u003cem\u003eMan with Shield\u003c\/em\u003e appears in \u003cem\u003eThe Transportation of Place\u003c\/em\u003e (Aperture, 2006), in which the Bechers describe the German Indians series. “It is a somewhat clichéd truth that no country has more of a fascination with Native Americans than Germany. Besides a deep-rooted romantic view of a preindustrial past, and the imagery of cowboy-Western movies, the primary cause of this fascination is the work of the nineteenth-century writer Karl May. Although he didn’t visit North America until late in life, he wrote many novels about the Wild West, portraying Native Americans as heroes and whites as villains. Karl May’s birthday is celebrated annually in his hometown of Radebeul, near Dresden, by hundreds of Germans dressed as Native Americans. Loosely formed groups, called tribes, gather from all over the country. By participating in re-creations, open-air festivals, and hobby clubs, postwar Germans, discouraged from nationalism and group ritual, sense permission to find themselves in other ethnic groups. And, perhaps, criticism of atrocities against Native Americans also gives Germans some sense of relief from their own shame of the Holocaust.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514072699014,"sku":"L0119","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0119-1_45a617e0-f4b5-434e-b6b8-8fb5a23e46ff.jpg?v=1763775581"},{"product_id":"animal-127-2009","title":"Elliot Ross: Animal (127), 2009","description":"\u003cp\u003eIntrigued by a portrait of his late cat, Ross wondered whether or not the cat consciously looked into the camera while the photograph was being taken. Ross then began to ask himself questions such as, “What was the cat thinking?” and “In what ways is the consciousness of an animal different from that of a human being?” As the artist states, “the title indicates this is the 127th in a series of photographs of animals. The animals are depicted without defined context, in a space where the figure has little if any background. I think this allows each image to be seen as an experience, as if we are encountering an individual of another species unexpectedly, coming upon it perhaps even in that most emotionally vulnerable of places: a dream. For similar reasons, I haven’t used species names to identify them. And I haven’t stated the locations at which they were photographed because each ‘photographic record’ is only the beginning of a much longer process, one involving a hands-on, drawing-like use of imaging software to apply ink to paper.”\u003cbr\u003e\u003cbr\u003eGoing on to photograph animals from around the world, Ross creates images laden with emotion. In later discarding their environmental surroundings, and using an almost painterly approach in post-production, we are left with these beautifully isolated and powerful portraits.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514074763398,"sku":"L0592","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0592-1_7e067ba0-456b-4144-976a-6433e57b11e8.jpg?v=1763775587"},{"product_id":"coal-mining-dhanbad-bihar-india-1989","title":"Sebastião Salgado: Coal Mining, Dhanbad, Bihar, India, 1989","description":"\u003cp\u003e“Fast-action photography is no great trick anymore. The real trick is to pin down the slow motions that make the great arcs of history. This is what photographer Sebastião Salgado has done.”\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e—\u003c\/span\u003e\u003cem\u003eTIME\u003c\/em\u003e magazine\u003cbr\u003e\u003cbr\u003eThis gelatin-silver print by Sebastião Salgado is signed and accompanied by a signed and slipcased copy of \u003cem\u003eWorkers: An Archaeology of the Industrial Age\u003c\/em\u003e, this world-renowned artist’s testament of manual labor in the contemporary world.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514075222150,"sku":"L0216","price":10000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0216-1_c54fb37c-2e27-4e16-be6c-c592fd2356c7.jpg?v=1763775590"},{"product_id":"pete-2005","title":"Robin Schwartz: Pete, 2005","description":"\u003cp\u003e“Photography has given me the opportunity to explore my child and the worlds I have dreamed to enter. Decisively photographing my daughter, Amelia, sometimes combining my life-long obsession with animals, has dared me to transform my photography, into concept and presentation. . . . My goal continues to be to catch a society of interspecies relationships and their activities—my imaginary world comes to life.”—Robin Schwartz\u003cbr\u003e\u003cbr\u003eRobin Schwartz’s work was first published by Aperture in the monograph \u003cem\u003eAmelia’s World\u003c\/em\u003e (2008), part of the \u003cem\u003eTinyvices\u003c\/em\u003e book series. Within this body of work, the artist makes meticulously composed, disquieting portraits of her daughter, Amelia, interacting with a range of exotic animals, from monkeys to kangaroos. Her startling portraits reference painting and often hint at open-ended narratives and fairytales while illuminating our fascination with the animal world.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514075844742,"sku":"L0175","price":420.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0175-1_73f425eb-05b8-4e8f-81b3-99638b048013.jpg?v=1763775600"},{"product_id":"shibu-crab-eating-macaque-male-1-year-old","title":"Robin Schwartz: Shibu, Crab Eating Macaque, male, 1 year old","description":"\u003cp\u003e“Each primate’s unique personality is recorded. I incorporated elements from paintings, illustrations and my fantasy images into the photographs.”—Robin Schwartz\u003cbr\u003e\u003cbr\u003eAperture first highlighted Robin Schwartz’s work in the publication \u003cem\u003eAmelia’s World\u003c\/em\u003e (Aperture, 2008) as part of the \u003cem\u003eTinyvices\u003c\/em\u003e volumes, including photographs of her daughter Amelia with a menagerie of animals. In \u003cem\u003ePrimate Portraits\u003c\/em\u003e, the artist’s foci are apes and monkeys, and all pictures are made within three feet of the subjects and are never shot through bars or Plexiglas cages. Each of the primates photographed in the series is privately cared for, contributing to the diversity of relationships, environments, and personal possessions that the artist captures within her frame. Schwartz has an uncanny empathy with her animal subjects, allowing for an intensity of eye contact. Photographing on different visits, she becomes friends with the apes and monkeys that inhabit her pictures. She purposely chooses moments that do not represent “the everyday world of monkeys and apes in captivity,” but instead what she calls her “dream world of primates.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514076008582,"sku":"L0176","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0176-1_4fcb1e1d-18b9-4593-972f-e4e42e7ec708.jpg?v=1763775603"},{"product_id":"panthers-listen-to-huey-p-newton-give-a-radio-talk-during-bobby-seales-trial-new-haven-may-1970","title":"Stephen Shames: Panthers listen to Huey P. Newton give a radio talk during Bobby Seale's trial, New Haven, May 1970","description":"\u003cp\u003eIn the midst of the largely nonviolent Civil Rights movement sweeping through America, Huey P. Newton and Bobby Seale founded the legendary Black Panther Party in 1966 in Oakland, California. The party burst onto the scene with a militant vision for social change and the empowerment of African-Americans. Its methods were highly controversial and polarizing, so much so that in 1968, FBI head J. Edgar Hoover described the organization as the country’s greatest threat to internal security.\u003cbr\u003e\u003cbr\u003eDuring the height of the movement, from 1967 to 1973, photographer Stephen Shames had unprecedented access to the organization and captured not only its public face—street demonstrations, protests, and militant armed posturing—but also behind-the-scenes moments, from private meetings held in its headquarters to Bobby Seale at work on his mayoral campaign in Oakland. Shames’s prolific output has produced the largest archive of Panther images in the world. His remarkable insider status enabled him to create an uncommonly nuanced portrait of this dynamic social movement during one of the most tumultuous periods in U.S. history.\u003cbr\u003e\u003cbr\u003eIn \u003cem\u003eThe Black Panthers\u003c\/em\u003e (Aperture, 2006), Shames recalls that “a few years ago, I gave a talk at the University of California, Berkeley, and someone in the audience asked about my role in the Black Panthers—was I a member of the party? I said, ‘No, I was just a photographer.’ Several former Panthers got up and said, ‘Steve, we always considered you a member of the party.’ That is a badge I wear with honor. . . . For me the most important part of the Black Panthers' legacy is a belief that one can affect change even when things seem hopeless.” \u003cbr\u003e\u003cbr\u003eWhen this image was taken, Bobby Seale was on trial for the murder of fellow Panther Alex Rackley, who was suspected of being a police informant.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514076172422,"sku":"L0120","price":1400.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0120-1_a7e02bf9-25d0-4994-ac53-40e8dfedd18f.jpg?v=1763775607"},{"product_id":"ruthenian-woman-from-the-former-kingdom-of-ruthenian-which-once-covered-an-area-from-ukraine-to-northern-romania","title":"Augustus F. Sherman: Ruthenian Woman from the former Kingdom of Ruthenian, which once covered an area from Ukraine to northern Romania","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAs a registry clerk with the Immigration Division of Ellis Island, Augustus F. Sherman photographed more than 200 families, groups, and individuals as customs held them for special investigations. This image was chosen in collaboration with the Statue of Liberty National Monument and the Ellis Island Immigration Museum and is from the book \u003c\/span\u003e\u003cem\u003eEllis Island Portraits 1905—1920\u003c\/em\u003e\u003cspan\u003e. It is one of Sherman’s many striking portraits, which predate August Sander’s cataloging efforts by several years.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514076336262,"sku":"L0100","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0100-1_27d3d5a4-d1ac-4933-a275-f8aa1f8a4bd6.jpg?v=1763775610"},{"product_id":"guadeloupe-women","title":"Augustus F. Sherman: Guadeloupe Women","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAs a registry clerk with the Immigration Division of Ellis Island, Augustus F. Sherman photographed more than 200 families, groups, and individuals as customs held them for special investigations. This image was chosen in collaboration with the Statue of Liberty National Monument and the Ellis Island Immigration Museum and is from the book \u003c\/span\u003e\u003cem\u003eEllis Island Portraits 1905—1920\u003c\/em\u003e\u003cspan\u003e. It is one of Sherman’s many striking portraits, which predate August Sander’s cataloging efforts by several years.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514076631174,"sku":"L0101","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0101-1_805d407a-2acb-4553-8580-7660c44ccbeb.jpg?v=1763775613"},{"product_id":"dutch-siblings","title":"Augustus F. Sherman: Dutch Siblings","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eAs a registry clerk with the Immigration Division of Ellis Island, Augustus F. Sherman photographed more than 200 families, groups, and individuals as customs held them for special investigations. This image was chosen in collaboration with the Statue of Liberty National Monument and the Ellis Island Immigration Museum and is from the book \u003c\/span\u003e\u003cem\u003eEllis Island Portraits 1905—1920\u003c\/em\u003e\u003cspan\u003e. It is one of Sherman’s many striking portraits, which predate August Sander’s cataloging efforts by several years.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514076795014,"sku":"L0102","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0102-1_2eb111b6-8773-409e-b76f-fd85f8b0fba6.jpg?v=1763775616"},{"product_id":"german-stowaway-from-ellis-island-portraits-1905-1920","title":"Augustus F. Sherman: German Stowaway, from Ellis Island Portraits, 1905-1920","description":"\u003cp\u003eAs a registry clerk with the Immigration Division of Ellis Island, Augustus F. Sherman photographed more than 200 families, groups, and individuals as customs held them for special investigations. This image was chosen in collaboration with the Statue of Liberty National Monument and the Ellis Island Immigration Museum and is from the book \u003cem\u003eEllis Island Portraits 1905—1920\u003c\/em\u003e. It is one of Sherman’s many striking portraits, which predate August Sander’s cataloging efforts by several years.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514077089926,"sku":"L0103","price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0103-1_61bb115e-1c56-4657-a819-717e08021791.jpg?v=1763775619"},{"product_id":"feet-5-toyko-2002","title":"Matthew Sleeth: Feet #5 (Tokyo), 2002","description":"\u003cp\u003e“Sleeth’s photography humorously and warmly and engages in a dialogue with the smaller habits, daily rituals, and preoccupations of contemporary life.”—Bec Dean, author of “Pattern Recognition” in \u003cem\u003eMatthew Sleeth: Ten Series\/106 Photographs\u003cbr\u003e\u003cbr\u003e\u003c\/em\u003eAustralian photographer Matthew Sleeth is a consummate observer, exploring the world around him with an acute and often humorous eye. \u003cem\u003eFeet #5 (Tokyo) \u003c\/em\u003eis from a series shot on the Tokyo subway. “They are images of reasonably random feet—usually whoever’s I was sitting opposite,” explains Sleeth. “They touch on themes such as consumerism (a great town for shoes) and the way men and women occupy public space differently. I’m sure this can be observed in many countries, but it seems emphasized in Japan: the men are sprawled over the seats with crotches thrust forward while the women tend to fold themselves into the smallest space possible.”\u003cbr\u003e\u003cbr\u003eThis work appears in the artist’s Aperture monograph \u003cem\u003eMatthew Sleeth: Ten Series\/106 Photographs\u003c\/em\u003e, the first book of his work published in the United States.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514077712518,"sku":"L0130","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0130-1_8f79e9c6-1d9e-4655-ab1b-ccc567e76db9.jpg?v=1763775629"},{"product_id":"the-spinner-1951","title":"W. Eugene Smith: The Spinner, 1951","description":"\u003cp\u003eThis hand-pulled dust-grain photogravure is printed by master photogravure printer Jon Goodman.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514078040198,"sku":"L0227","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0227-1_c687c245-2501-4d19-bd2d-9383bc74ad1b.jpg?v=1763775632"},{"product_id":"brancusi-in-his-studio-paris-1925","title":"Edward Steichen: Brancusi in his studio, Paris, 1925","description":"\u003cem\u003eBrancusi in His Studio\u003c\/em\u003e, \u003cem\u003eParis,\u003c\/em\u003e 1925, a selection from \u003cem\u003eEdward Steichen: The Early Years Portfolio, 1900–1927\u003c\/em\u003e, is a stunningly detailed, intimate portrait of Romanian abstract sculptor Constantin Brancusi in his Paris studio. This image presents a masterful photographic rendering of the working space of one of the founding figures of modern sculpture by one of the founding figures of photography.","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514079350918,"sku":"L0200","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0200-1_6fb613db-e2da-43f7-82ca-ebfd99001652.jpg?v=1763775648"},{"product_id":"man-tenancingo-mexico-1933","title":"Paul Strand: Man, Tenancingo, Mexico, 1933","description":"The first edition of \u003cem\u003ePhotographs of Mexico\u003c\/em\u003e, a portfolio of twenty hand-pulled gravure prints by Paul Strand, sold out long ago. A second edition was published as \u003cem\u003eThe Mexican Portfolio\u003c\/em\u003e in 1967. This current edition of \u003cem\u003eMan, Tenancingo\u003c\/em\u003e is one of six hand-pulled dust-grain photogravures printed by master photogravure printer Jon Goodman and available as an individual image from the portfolio.","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514079907974,"sku":"L0498","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0498-1_3b5435e8-a394-4844-8589-b12c4f334668.jpg?v=1763775670"},{"product_id":"boy-hidalgo-mexico-1933","title":"Paul Strand: Boy, Hidalgo, Mexico, 1933","description":"This first edition of \u003cem\u003ePhotographs of Mexico\u003c\/em\u003e, a portfolio of twenty hand-pulled gravure prints by Paul Strand, sold out long ago. A second edition was published as \u003cem\u003eThe Mexican Portfolio\u003c\/em\u003e in 1967. This current edition of \u003cem\u003eBoy, Hildalgo\u003c\/em\u003e is one of six hand-pulled dust-grain photogravures printed by master photogravure printer Jon Goodman and available as an individual image from the portfolio.","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514080006278,"sku":"L0076","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/l0076.jpg?v=1772469143"},{"product_id":"fisherman-gaspe-1936","title":"Paul Strand: Fisherman, Gaspé, 1936","description":"\u003cp\u003ePrinted by master photogravure printer Jon Goodman this print is accompanied by a slipcased copy of \u003cem\u003ePaul Strand: Sixty Years of Photographs\u003c\/em\u003e.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514080202886,"sku":"L0240","price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0240-1_6367e99e-940b-4fa8-a744-c961a0760439.jpg?v=1763775688"},{"product_id":"the-family-luzzara-italy-1953","title":"Paul Strand: The Family, Luzzara, Italy, 1953","description":"This platinum print is made by master printer Sal Lopes and is sold in a cloth-covered case, accompanied by a hardcover copy of \u003cem\u003eUn Paese: Portrait of an Italian Village\u003c\/em\u003e.","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514080497798,"sku":"L0218","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0218-1_f577c2bc-6423-41a0-8abe-98892f6eb1aa.jpg?v=1763775695"},{"product_id":"tailors-apprentice-luzzara-italy-1953","title":"Paul Strand: Tailor's Apprentice, Luzzara, Italy, 1953","description":"\u003cp\u003eThis platinum print is made by master platinum printer Sal Lopes and is matted and sold in a cloth-covered case.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514080628870,"sku":"L0217","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0217-1_22144103-9ebf-4e9e-ad76-03d59a26ad1a.jpg?v=1763775704"},{"product_id":"young-boy-gondeville-charente-france-1951","title":"Paul Strand: Young Boy, Gondeville, Charente, France, 1951","description":"\u003cp\u003eIn celebration of the release of Paul Strand’s out-of-print classic, \u003cem\u003eLa France de Profil\u003c\/em\u003e, Aperture is pleased to offer a limited-edition print of \u003cem\u003eYoung Boy\u003c\/em\u003e. This beautiful platinum print is made by master printer Sal Lopes from Strand’s original negative.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514080858246,"sku":"L0064","price":2000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0064-1_81acadc7-fee0-4c38-ae9e-7068546cda0d.jpg?v=1763775708"},{"product_id":"new-york-yankees-shortstop-derek-jeter-from-the-team-that-george-built-a-portfolio-of-the-1998-yankees","title":"Joyce Tenneson: New York Yankees shortstop Derek Jeter, from “The Team that George Built: A Portfolio of the 1998 Yankees”","description":"\u003cp\u003eAperture is pleased to present a limited-edition photograph by American artist Joyce Tenneson, as featured in \u003cem\u003eThe New York Times Magazine Photographs\u003c\/em\u003e (Aperture, 2011), edited by Kathy Ryan. With an extensive body of work that focuses on the human form, Tenneson is most well known for her portraits of the female figure that are presented as mystical, sensual, and spiritual all at once.\u003cbr\u003e\u003cbr\u003eArt critic and author Vicki Goldberg writes: “Tenneson possesses a unique vision which makes her photographs immediately recognizable. She creates enigmatic and sensuous images that are timeless and haunting. Whether a classically draped nude or a mysterious portrait of a young child and aged man, her photographs speak to the fragility of life, its poignant beauty—and its pain. The images are deeply affecting, often evoking forgotten memories.” This print of the New York Yankees’ Derek Jeter reflects Tenneson’s attempt at revealing something beyond the surface of her sitter, as she tries to capture the man behind the pinstriped uniform. Using the camera as a means of documenting Jeter’s presence, she also uses the medium to expose aspects of the baseball player that would usually remain hidden from the public eye.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514080923782,"sku":"L0566","price":1200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0566-1_c7d14edf-6613-4ffb-bfea-74b05073aa97.jpg?v=1763775714"},{"product_id":"pino-del-oro-3-25-2-2005-1157","title":"Bert Teunissen: Pino del Oro #3, 25\/2\/2005 11:57","description":"\u003cp\u003e“Those people belong there—that’s what you feel when you look at the pictures.”—Bert Teunissen\u003c\/p\u003e\n\u003cp\u003eOver the past decade, Dutch photographer Bert Teunissen has documented hundreds of old European homes. These are rudimentary yet cultured settings aglow with a warm, timeless atmosphere, spaces in which a primary interior feature is natural light. Old World details crowd the frame in \u003cem\u003ePino del Oro #3\u003c\/em\u003e, which was taken in Spain. The home pictured here was built before the World Wars, before electricity was a standard feature, during a time when sunlight played a pivotal role in the conception of architecture. The art press has noted that Teunissen renders these last vestiges of old Europe with a palette and sensitivity to light that recall Dutch masters like Vermeer and Rembrandt. After such comparisons, Teunissen said that he “understood that the kind of light I used in those pictures is the same kind of light as painters used in those paintings—it’s old and antique light, the kind you rarely see anymore.” \u003cbr\u003e\u003cbr\u003eThis photograph, and the whole of the artist’s project, published by Aperture as \u003cem\u003eDomestic Landscapes\u003c\/em\u003e (2007), dovetails with two traditions—the use of the camera to record the culturally vestigial and a strain of portraiture that looks at subjects in their own environments. “\u003cem\u003eDomestic Landscapes\u003c\/em\u003e is a parallel story about atmosphere and light on the one side, and authenticity and originality on the other,” says Teunissen. His poignant photographs capture and record architecture—and a way of life—that the artist fears is “fated to disappear as a consequence not only of architectural standardization but also of social displacement and shifts in public opinion about life and how it should be lived. All you can do now is cross the country and hope that you still find places that have been left alone, and left in peace.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514080956550,"sku":"L0131","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0131-1_af3468ea-c0bf-4a18-b2e7-9f44136a749a.jpg?v=1763775717"},{"product_id":"dad-having-a-nap-2008","title":"Phillip Toledano: Dad Having a Nap, 2008","description":"\u003cp\u003e“My father was always the king of naps. As a child, I remember the Swiss precision with which my dad would retire to the living room every day after lunch for a fifteen-minute nap. When I was taking care of him, of course, he was ninety-six, so napping was more of an occupation than a hobby. Carla bought him the blinders to wear since he did a lot of his napping in that chair during the day. Sometimes, when I was over, we’d take a nap together, each of us sitting in our respective chairs. We’d wake up, smile at each other, and then I'd go and get him some orange juice.”—Phillip Toledano\u003cbr\u003e\u003cbr\u003eAperture is pleased to offer our collectors a very special limited-edition photograph by Phillip Toledano after first highlighting his Phonesex series in Issue No. 193 of \u003cem\u003eAperture\u003c\/em\u003e magazine.\u003cbr\u003e\u003cbr\u003ePublished in book form in June 2010, the series \u003cem\u003eDays with My Father\u003c\/em\u003e is a body of work Toledano started after his mother’s death in 2006. His father, who was suffering from a lack of short-term memory, needed his attention. Toledano documented their relationship in a form of a journal until his father’s death. Intimate and touching, but never intrusive, the work addresses the emptiness, love, sadness, loss, and hope experienced by father and son during this fleeting period.\u003cbr\u003e\u003cbr\u003eIn the late summer of 2008, Toledano posted the work on the web. “I’m not really sure why I did it,” he said. “Perhaps, in some way, I just needed to unburden myself, and it was easier to do it with people I couldn’t see. I certainly didn’t expect anyone to be listening. To my great surprise, after a few days, the site started getting thousands of visits a day. I read the new comments every day, and each time I do, I’m deeply moved. Losing my parents before I was forty has been very hard, but that pain has been softened by the gentle and honest voices of the thousands who have spoken to me. I may be an only child, but I’m not alone.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514081054854,"sku":"L0329","price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0329-1_21aa4465-02b6-4e8d-a379-04fa943f0de5.jpg?v=1763775720"},{"product_id":"jean-paul-from-the-series-intended-consequences-2006","title":"Jonathan Torgovnik: Jean-Paul, from the series Intended Consequences, 2006","description":"\u003cp\u003eProceeds from the sale of this print benefit both Aperture Foundation and \u003ca href=\"https:\/\/foundationrwanda.org\/\"\u003eFoundation Rwanda\u003c\/a\u003e.\u003cbr\u003e\u003cbr\u003e“This photograph of Jean-Paul was taken in 2006 while working on my Intended Consequences project in Rwanda. Jean-Paul was thirteen years old and living with his mother, a genocide survivor, in a crumbling one-room mud house just a couple of hours  drive from Kigali, the Rwandan capital. He was not going to school at the time because his mother could not afford to buy him a uniform and shoes. Today, he is fifteen years old, back in school, and doing well thanks to the support of Foundation Rwanda, a non-profit I co-founded to support secondary school education for children born as a result of sexual violence during the 1994 genocide.”—Jonathan Torgovnik\u003cbr\u003e\u003cbr\u003eAn estimated twenty thousand children were born of rapes that occurred during the 1994 Rwandan genocide. Fifteen years later, the mothers of these children still faced enormous challenges, among them being stigmatized within their communities for bearing a child fathered by a Hutu militiaman. Over a three-year period, photographer Jonathan Torgovnik made repeated visits to Rwanda to document the experiences of these women, allowing them to tell their stories. These portraits and testimonies are featured in the artist’s monograph, \u003cem\u003eIntended Consequences: Rwandan Children Born of Rape\u003c\/em\u003e (Aperture, 2009). They offer intensely personal accounts of these survivors’ experiences of the genocide, as well as their conflicted feelings about raising a child who is a living reminder of horrors endured.\u003cbr\u003e\u003cbr\u003eIn addition to financing the education of children born of rapes committed during the 1994 genocide, Foundation Rwanda, cofounded by Torgovnik, links their mothers to existing psychological and medical support services and creates awareness about the consequences of genocide and sexual violence through photography and new media.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514081120390,"sku":"L0178","price":900.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0178-1_3218a692-b678-460b-86ad-5a4d52ba0a11.jpg?v=1763775726"},{"product_id":"portrait-of-george-van-haltren-1904","title":"William van der Weyde: Portrait of George Van Haltren, 1904","description":"\u003cp\u003eGeorge van Haltren was one of the first great baseball players to come out of the San Francisco Bay Area. He began his baseball career in the 1880s as a pitcher, but later became a centerfielder with an impressive batting record. Van Haltren started out playing for the Chicago Cubs and finished his career with the New York Giants, playing for several more teams in between. Aperture is pleased to present William van der Weyde’s portrait of him, a rare and historical photograph made by one of the most prolific magazine photographers of the time.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514081316998,"sku":"L0152","price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0152-1_0b96a534-3d54-4975-aff1-534fb35646a0.jpg?v=1763775739"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/collections\/LB166.jpg?v=1761014101","url":"https:\/\/store.aperture.org\/collections\/portrait-prints.oembed?page=5","provider":"Aperture","version":"1.0","type":"link"}