{"title":"Past Editions","description":null,"products":[{"product_id":"limbo-5-004-from-the-series-limbo","title":"Bianca Brunner: Limbo 5, from the series Limbo, 2004","description":"\u003cp\u003eBianca Brunner’s photographs are based on memory. Limbo 5, included in \u003cem\u003ereGeneration: \u003cem\u003e50 Photographers of Tomorrow \u003c\/em\u003e\u003c\/em\u003e(Aperture\u003cem\u003e,\u003c\/em\u003e 2006), is from her five-image \u003cem\u003eLimbo\u003c\/em\u003e series, exploring the concept of somatic memory, the body’s own memory.\u003cbr\u003e\u003cbr\u003eThe series shows people fixed in motion, in a moment of stillness. Nothing in the images is moving; everything is held in a prolonged state of waiting. 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He was delighted to take on the assignment because it was a chance to photograph a more complex scene, but he also admits to being frightened by the chaos. Even with his reservations about whether or not the photograph would be overwhelming, he found the challenge thrilling. Setting up at the Marriott Hotel, Morell covered the room’s window with black plastic, in which he cut a hole about 3\/8 of an inch to let in light.\u003cbr\u003e\u003cbr\u003eUnlike any other camera obscura image, \u003cem\u003eCamera Obscura Image of Times Square in Hotel Room\u003c\/em\u003e is unique because of the lack of available light. Consequently, the exposure took two full days to create and is the longest exposure that Morell has ever made. 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It formed an epiphany in which I realized that I must return to Congo and persevere with \u003cem\u003eInfra\u003c\/em\u003e, which has been an exhausting struggle, in a remarkably difficult environment, against my own practice and my best instincts. \u003cem\u003eDebris\u003c\/em\u003e pushed me to embrace failure and let go of certain ways of seeing. As Samuel Beckett said, ‘Try again. Fail again. Fail better.’”—Richard Mosse\u003cbr\u003e\u003cbr\u003eThis limited-edition photograph from Richard Mosse’s first monograph, \u003cem\u003eInfra\u003c\/em\u003e (Aperture, 2012), offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. For centuries, the Congo has repeatedly compelled and defied the Western imagination. Mosse brings to this subject the use of a discontinued aerial surveillance film, a type of color infrared film called Kodak Aerochrome. The film, originally developed for military reconnaissance, registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson, and hot pink. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction, and photojournalism.\u003c\/p\u003e\n\u003cp\u003eLaumont in New York printed each digital c-print in this edition in October 2011, under the supervision of the artist. 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Here, the tactical use of controlled explosions works to add realistic stress to training exercises and to familiarize soldiers with various munitions. Having captured controlled trials and simulated environments throughout her different series, Pickering’s work emphasizes the secrecy and uniformity ever-present in the world of civil defense. Taken from the \u003cem\u003eExplosions\u003c\/em\u003e series, \u003cem\u003eArtillery\u003c\/em\u003e explores the paradox of planning for the completely unexpected. 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Unusual levitation in a landscape refers to many associations inspired by classical painting or religious images, themes, and myths.”—Tereza Vlčkovà\u003cbr\u003e\u003cbr\u003eAperture is pleased to offer to our collecting audience \u003cem\u003eA Perfect Day, Elise . . .\u003c\/em\u003e by Tereza Vlčkovà, as featured in \u003cem\u003ereGeneration 2: Tomorrow's Photographers Today\u003c\/em\u003e, the second book in the esteemed series shining a spotlight on the next generation of potential star photographers.\u003cbr\u003e\u003cbr\u003eInspired by the many artists from the original 2005 \u003cem\u003ereGeneration\u003c\/em\u003e publication who went on to develop international careers, Aperture has prepared limited editions by several of the 2010 volume’s participating artists, some of whose work is available for purchase for the very first time. 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My idea is to show how produce sold in a humble way on the street is equally enticing as that which is bought in expensive stores with cleverly designed marketing.”—Shen Wei\u003c\/p\u003e\n\u003cp\u003eShen Wei was one of five emerging artists selected by Aperture for the NYC Green Cart Photography Commission. These photographers were given the opportunity to document the NYC Green Cart Initiative, a program that provides fresh fruits and vegetables to underserved urban communities. Each photographer approached this project from a different point of view, offering a unique perspective of the Green Cart program. The images were included in an exhibition at the Museum of the City of New York, \u003cem\u003eMoveable Feast: Fresh Produce and the NYC Green Cart Program\u003c\/em\u003e. Both the exhibition and the commission were made possible with the generous support of the Laurie M. 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Using photography’s ability to capture the fleeting essence of a moment, Engström transfers specific time and place to the unfixed reference of memory. Engström’s work was featured in Issue No. 190 of \u003cem\u003eAperture\u003c\/em\u003e Magazine, and was first published in book form by the Swedish publisher Journal.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514084593798,"sku":"L0021","price":3000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0021-1_590d55e4-9e7d-495b-99d3-dff25698e118.jpg?v=1763775759"},{"product_id":"los-juguetes-portfolio","title":"Enrique Metinides: Los Juguetes Portfolio","description":"\u003cp\u003eEnrique Metinides is one of the great characters in the story of contemporary photography. His new work is as vividly authentic as the photographs of crime and disasters he spent his life documenting for the Mexican tabloid, \u003cem\u003eLa Prensa\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eThese are the photographs of an older man who can no longer go out with the ambulances and firefighters as he did for fifty years. Today he spends much of his time at home, finding new ways to revisit the themes of his life’s work. In this series, Metinides has rephotographed images made early in his career, constructing fictional rescue scenes from his collection of over ten thousand toy firemen and medics. The work maintains a childlike quality, a naivety, and yet is made by a man who remembers every detail of every tragedy he ever photographed. Metinides has looked for new ways to understand the things he has witnessed, this time with irony and black humor. These late pictures are a new twist on an extraordinary career, representing a poignant moment in a personal journey, and a reflection on a life in photography. 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Commemorating the convergence of the original visionaries who founded and fostered Aperture from its inception, this deluxe portfolio of unparalleled images from three founders and two dear friends of Aperture—Dorothea Lange, Barbara Morgan, Paul Strand, Edward Weston, and \u003cem\u003eAperture’\u003c\/em\u003es first Editor-in-Chief, Minor White—is an extraordinary collector’s item. Printed by master printer Sal Lopes, the portfolio is packaged in a cloth-covered clamshell case and is accompanied by four text panels featuring the eloquent and authoritative writings of fellow founders Nancy and Beaumont Newhall. Each platinum-palladium print is matted and bears the official seal of its respective estate or museum.\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514085249158,"sku":"L0038","price":6000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0038-1_6eb8fd3b-7490-43a1-8dc1-810df237a3ac.jpg?v=1763775878"},{"product_id":"the-edge-of-vision-limited-edition-portfolio","title":"The Edge of Vision Limited-Edition Portfolio","description":"\u003cp\u003e\u003cspan\u003eIn conjunction with the publication of Lyle Rexer's \u003c\/span\u003e\u003cem\u003eThe Edge of Vision: The Rise of Abstraction in Photography\u003c\/em\u003e\u003cspan\u003e, the first book in English to document and contextualize this canon, Aperture has released a very special limited-edition portfolio. The portfolio consists of five photographic prints by artists Bill Armstrong, Richard Caldicott, Manuel Geerinck, Mikko Sinervo, and Nicki Stager. 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This run-in motivated Naudé to begin his series of photographs of the Africanis, wild dogs thought to have migrated from Egypt and now inhabiting the South African countryside. Although in Naudé’s images the dogs appear to sit politely and patiently for their portraits, photographing these lithe, skittish animals is not an easy task. 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Her work quickly evolved, and soon Moon’s uniquely stylized images were in demand and she found herself fully immersed in photography, shooting for famous magazines like \u003c\/span\u003e\u003cem\u003eVogue\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003eHarper’s Bazaar\u003c\/em\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cem\u003eElle\u003c\/em\u003e\u003cspan\u003e. She also began to take photographs outside the commercial world. When asked what she finds most fascinating about photography, Moon states: “I think the relationship between photography and time, the constant allusion to loss, to memory, to death . . . that strange alchemy between desire and chance. It's what my father called ‘wishful thinking.’” This strange alchemy is what allows her work to transform reality. Moon’s \u003c\/span\u003e\u003cem\u003eThe Garden\u003c\/em\u003e\u003cspan\u003e possesses profound beauty and elegance that can only be described as sublime. 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Her portraits emphasize Mexicans’ connection to pre-Hispanic culture, and tell the story of a country and culture in constant transition—from premodern to modern ways of working and socializing, and from rural to urban life. At the same time, however, she has made stunning pictures of the landscape in Mexico and beyond. This photograph, made in Switzerland in 2009, is evidence that Iturbide’s talent for capturing striking aspects of her environment transcends her initial focus on Mexico. Two gnarled branches sprout a fretwork of thinner stems that slash the pale-gray sky. 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With a razor blade, Russell etches intricate patterns and figures onto the surface of photographs of lens flare. The images transform into stylized explosions, fragments from scenes of an apocalyptic aftermath. 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In the series, everyday scenes—an approaching storm, a local grocery store at dusk, the view through a bedroom window—are transformed by the stunning light of Cape Cod and the luminous vision of the photographer. 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His photographs of cats, in particular, have appeared in the pages of \u003c\/span\u003e\u003ci\u003eNational Geographic \u003c\/i\u003e\u003cspan\u003eand \u003c\/span\u003e\u003ci\u003eLife \u003c\/i\u003e\u003cspan\u003emagazine and been absorbed into the public subconscious via posters, pet-food packaging, T-shirts, and other uses. The Internet is awash with cat pictures, and Chandoha’s cat pictures might be seen as the forefather of them all. They bear examination not only for their singular charm but also for having established a vocabulary of the animal studio portrait, with Chandoha’s signature look: clean, brightly colored backdrops and high-key “glamour” backlighting of his tiny, fuzzy subjects.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514110054534,"sku":"LB012","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-LB018-1_b822479b-3c70-47c8-9556-76805578744b.jpg?v=1763776179"},{"product_id":"playspace-commission-wet-grass-2014","title":"Viviane Sassen: Playspace Commission: Wet Grass, 2014","description":"\u003cp\u003eTo celebrate the publication of \u003ci\u003eThe Photographer’s Playbook: 307 Assignments and Ideas\u003c\/i\u003e, Aperture commissioned twenty-two photographers to create new works in response to assignments from the book. Curated by Christopher McCall of Pier 24 Photography, the project sparked a fascinating dialogue between some of the world’s leading photographers and educators working today. What follows is an insight into the possibilities of looking at photography through someone else’s eyes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe artist responded to Schuyler Duffy's assignment, \u003cem\u003eExercises in Photography, Exercise #6\u003c\/em\u003e\u003cem\u003e,\u003c\/em\u003e on page 89 of \u003cem\u003eThe Photographer's Playbook: \u003c\/em\u003e\u003c\/strong\u003e\u003cspan\u003e“\u003c\/span\u003eMake a photograph or series based on a dream you remember, mining the dream as source material. Work representationally, abstractly, conceptually, literally, formally, or narratively.\u003cspan\u003e”\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514110808198,"sku":"LB083","price":7000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb083.jpg?v=1772317626"},{"product_id":"playspace-commission-untitled-2013","title":"Gregory Halpern: Playspace Commission: Untitled, 2013","description":"\u003cp\u003eTo celebrate the publication of \u003ci\u003eThe Photographer’s Playbook: 307 Assignments and Ideas\u003c\/i\u003e, Aperture commissioned twenty-two photographers to create new works in response to assignments from the book. Curated by Christopher McCall of Pier 24 Photography, the project sparked a fascinating dialogue between some of the world’s leading photographers and educators working today. What follows is an insight into the possibilities of looking at photography through someone else’s eyes.\u003cbr\u003e\u003cbr\u003e“This assignment was perfect for me because I had been thinking about smiling pictures when Lucas Foglia sent it. Until recently, I felt that smiling pictures should be reserved for the family album-that the smile was a kind of shield, a way to mask the more difficult things that show up in faces from time to time. And in the past, when people smiled for my camera, I would sometimes take the picture to oblige them. But then I would ask, “Would you mind if I took another picture of you not smiling?” Hearing myself say the words sometimes felt uncomfortable. As phony as a smile could be, if I, as director of the photo, asked someone not to smile, wasn’t I creating an unnaturally somber scene, one that was equally phony or manufactured? Who was I, I wondered, to impose somberness or melancholy onto a life I ultimately knew nothing about? It’s somehow counterintuitive, but the fact that this man is smiling makes the viewing experience less comfortable for the viewer than if he were looking somber. Why is that? Is it because we’ve seen so many somber, struggling portraits before, ever since Jacob Riis and Lewis Hine? Has that genre of the portrait become an acceptable (and comfortable) way of looking at the uncomfortable reality of suffering around us?”\u003cspan\u003e—\u003c\/span\u003eGregory Halpern\u003cstrong\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eThe artist responded to Lucas Foglia’s assignment, \u003cem\u003eMake It Seem...\u003c\/em\u003e\u003cem\u003e,\u003c\/em\u003e on page 113 of \u003cem\u003eThe Photographer's Playbook:\u003c\/em\u003e\u003c\/strong\u003e “Make a photograph of something that is supposed to be happy, like a person laughing, and make it seem sad.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514110972038,"sku":"LB072","price":3800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb072.jpg?v=1772317419"},{"product_id":"the-red-balloon","title":"Paolo Ventura: The Red Balloon","description":"\u003cp\u003e\u003cspan\u003eAperture is pleased to release two limited-editions in support of \u003c\/span\u003e\u003ca href=\"https:\/\/aperture.org\/books\/short-stories-hardcover\/\"\u003e\u003cem\u003eShort Stories: Photographs by Paolo Ventura\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e (2009), crafted by the artist in his studio in Italy. Each suite of pictures is presented in a specially designed box produced by the artist.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003ePaolo Ventura’s \u003c\/span\u003e\u003cem\u003eShort Stories\u003c\/em\u003e\u003cspan\u003e are whimsical narratives told through pictures—tales of love, war, and family—where things magically appear or disappear, set in an imaginary past of World War II Italy. Much like in silent films, the drama unfolds with no words \u2028or captions. For these works and those featured in the publication, Ventura constructs life-sized sets, in which he situates himself and members of his family (casting his son, wife, and twin brother as actors) in stories that are at once charming and disquieting. While seemingly simple, Ventura’s vignettes come with larger implications: brothers who encounter each other by surprise on the battlefield, jugglers who appear from above, a man who packs himself into his suitcase, a small-town magician who accidentally makes his son disappear for real, and many others. Here, Ventura has built a world of realistic proportions and actors, in fantastical tales and against painted backdrops—challenging notions of what is real and what is make-believe.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003eFeatured here are special print editions of two of these tales, \u003ci\u003eMan with Suitcase #2\u003c\/i\u003e and \u003ci\u003eThe Red Balloon\u003c\/i\u003e. Each is featured in the book, which collects the entire series of Ventura’s \u003ci\u003eShort Stories\u003c\/i\u003e together for the first time, including three previously unpublished, and offers a glimpse into the artist’s extraordinary imagination.\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514111561862,"sku":"LB108","price":3500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-LB108-1_04d2ad38-52bf-4a28-a765-c8a2fb5ac49b.jpg?v=1763776207"},{"product_id":"0551-bad-brilliance-bubblehead","title":"Richard Renaldi: 05:51 (Bad Brilliance Bubblehead)","description":"\u003cp\u003eAperture is pleased to release two new limited-edition photographs by Richard Renaldi in celebration of his publication \u003cem\u003eManhattan Sunday \u003c\/em\u003e(2016).\u003cbr\u003e\u003cbr\u003e\u003cem\u003eManhattan Sunday\u003c\/em\u003e is part homage to a slice of New York nightlife, and part celebration of New York as a palimpsest—an evolving form onto which millions of people have and continue to project their ideal selves and ideal lives. Drawing heavily on his personal subcultural pathways, Renaldi captures that ethereal moment when Saturday night melds into Sunday morning across the borough of Manhattan. This collection of portraits, landscapes, and club interiors evokes the vibrant nighttime rhythms of a city that persists in both its decadence and its dreams, despite beliefs to the contrary. \u003cem\u003eManhattan Sunday\u003c\/em\u003e is a personal memoir that also offers a reflection of the city’s evolving identity—one that still carries with it and cherishes the echoes of its past.\u003cbr\u003e\u003cbr\u003eAs Michael Musto says of the work, “Richard Renaldi’s photos cover a diversity of NYC nocturnal habitues, reveling in their glorious otherness as the party fades and a contemplative mode takes over. His lens treasures these people, as well it should.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514113101958,"sku":"LB039","price":2500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb039.jpg?v=1772315130"},{"product_id":"1023-west-14th-street","title":"Richard Renaldi: 10:23 (West 14th Street)","description":"\u003cp\u003eAperture is pleased to release two new limited-edition photographs by Richard Renaldi in celebration of his publication \u003cem\u003eManhattan Sunday\u003c\/em\u003e (2016).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eManhattan Sunday\u003c\/em\u003e is part homage to a slice of New York nightlife, and part celebration of New York as a palimpsest—an evolving form onto which millions of people have and continue to project their ideal selves and ideal lives. Drawing heavily on his personal subcultural pathways, Renaldi captures that ethereal moment when Saturday night melds into Sunday morning across the borough of Manhattan. This collection of portraits, landscapes, and club interiors evokes the vibrant nighttime rhythms of a city that persists in both its decadence and its dreams, despite beliefs to the contrary. \u003cem\u003eManhattan Sunday\u003c\/em\u003e is a personal memoir that also offers a reflection of the city’s evolving identity—one that still carries with it and cherishes the echoes of its past.\u003c\/p\u003e\n\u003cp\u003eReminiscent of Éugene Atget’s photographs of vacant Paris streets, \u003cem\u003e10:23\u003c\/em\u003e presents a view of West 14th Street that is both unquestionably classic yet contemporary in its details—a scene which elicits a familiar sensory experience of New York City while rich shadows stimulate a subtle sense of mystery. As one of the images in the chronologically sequenced \u003cem\u003eManhattan Sunday\u003c\/em\u003e, this print represents a sleepy New York City in a state of awakening—or, in the context of the book, heading to sleep.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514113134726,"sku":"LB040","price":2500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb040.jpg?v=1772315022"},{"product_id":"c-boy-serengeti-national-park-tanzania-2012","title":"Michael “Nick” Nichols: C-Boy, Serengeti National Park, Tanzania, 2012","description":"\u003cp\u003eAperture is pleased to release these stunning limited-edition prints by Michael “Nick” Nichols, the acclaimed \u003cem\u003eNational Geographic \u003c\/em\u003ephotographer. These prints coincide with the Aperture publication \u003cem\u003eA Wild Life: A Visual Biography of Photographer Michael Nichols\u003c\/em\u003e. In every one of his images, Nichols touches the very spirit of wildness.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA Wild Life\u003c\/em\u003e author Melissa Harris writes of this striking image of C-Boy, “There, C-Boy is set against a dramatic sky of dark clouds and streaks of setting sun, at that moment of dusk when lions come to life—a propitious time for photographing. ‘I was always looking for this image,’ says Nick. He lies in a sphinx pose on the savanna, head held high, gazing monarchically straight into Nick’s lens. And Nick, photographing at C-Boy’s level, meets that gaze: the strength of the image comes in part from this parity and clear visual engagement. And closeness. Nick was lying down in the Land Rover when making the photograph: ‘I’m not more than four to five feet from C-Boy. Maybe closer. In the car, we were silent. No movement. No fumbling with stuff.’”\u003c\/p\u003e\n\u003cp\u003eHarris states, “Nick is a photojournalist working in a time of crisis. Habitat and species are continually threatened by humans. For nearly thirty years, Nichols has conspired with scientists, naturalists, journalists, and activists to take on these issues. Wildlife photography is not the right term to describe what Nick does. Nick approaches his work in this reportorial tradition: he is a photojournalist working in the wild.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514115068038,"sku":"LB044","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb044.jpg?v=1772313539"},{"product_id":"untitled-oran-from-the-series-diary-exile-2014-2016","title":"Abdo Shanan: Untitled (Oran), from the series Diary: Exile, 2014–2016","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003eCoinciding with \u003c\/span\u003e\u003cem\u003eAperture\u003c\/em\u003e\u003cspan\u003e magazine issue #227, “Platform Africa,” Aperture is pleased to present a series of limited-edition prints by artists featured in the issue.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e“The photographs in Abdo Shanan’s series \u003ci\u003eDiary: Exile\u003c\/i\u003e (2014–16) take viewers by the hand and race them through a vertiginous world of gritty, everyday intimacies. Imagine Nan Goldin and Diane Arbus meeting Roger Ballen in the inner cities of twenty-first-century Algeria to produce work that none of them had the background or experience to perceive. He points his camera up to catch a shredded campaign poster or the face of a woman laughing, down to catch a splash of white paint on the sidewalk, a hand on a leopard-print coat, or a pair of lovers rolling on the ground. In Shanan’s series, there are friends, strangers, twins, soiled bedsheets, signs of poverty, hardship, and distress, as well as moments of unguarded pleasure.” —Kaelen Wilson-Goldie, in \u003ci\u003eAperture\u003c\/i\u003e Issue #227: “Platform Africa”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514116083846,"sku":"LM015","price":650.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lm015.jpg?v=1772312994"},{"product_id":"mignonne-from-above-2011","title":"Nico Krijno: Mignonne from above, 2011","description":"\u003cp\u003e\u003cspan\u003eCoinciding with \u003c\/span\u003e\u003cem\u003eAperture\u003c\/em\u003e\u003cspan\u003e magazine issue #227, “Platform Africa,” Aperture is pleased to present a series of limited-edition prints by artists featured in the issue.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e“For Nico Krijno, the game of comparing, translating, and constructing affinities plays out in buoyant pictures arranged in whimsical sequences. Fresh tropical flowers are set against busy textiles; mismatched push-button telephones sit playfully, like interlocking slinkys, on concrete steps. The experimental energy of these images shows manic attention to the contiguities of perception, leaving much for the eye to linger over and around—exuberant colors, clashes of textures and patterns, unlikely juxtapositions, and visual paradoxes that twist our sense of logic and perception.”\u003c\/span\u003e\u003cspan\u003e—Sara Knelman, in \u003c\/span\u003e\u003ci\u003eAperture\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eIssue #227: “Platform Africa”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514116182150,"sku":"LM011","price":1200.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lm011_7387f3b1-3f2a-4593-942b-2e9d044e1d2b.jpg?v=1772312818"},{"product_id":"sartorial-anarchy-4-2010","title":"Iké Udé: Sartorial Anarchy #4, 2010","description":"\u003cp\u003eAperture is pleased to release this limited-edition print by Iké Udé, which coincides with the publication of \u003cem\u003eDandy Lion: The Black Dandy and Street Style \u003c\/em\u003e(2017)\u003cem\u003e \u003c\/em\u003eby Shantrelle P. Lewis.\u003cbr\u003e\u003cbr\u003eSartorial\u003cem\u003e Anarchy \u003c\/em\u003eis a series of photographic self-portraits that depict a “post-dandyism” that transcends geography, cultures, and time, in order to explore, as he puts it, “a world of dualities: photographer\/performance artist, artist\/spectator, African\/postnationalist, mainstream\/marginal, individual\/everyman, and fashion\/art.”\u003cbr\u003e\u003cbr\u003eIn \u003cem\u003eSartorial Anarchy #29\u003c\/em\u003e, he pairs a Native American headdress and a 1970s wristband with a US Marine Corps jacket bearing a 1935 Ugandan Police medal. Here, he highlights the absurdities of cultural constructs, critiquing the tropes of dandyism while offering new sartorial possibilities. As in all of Udé’s work, he deconstructs and reconstructs ideas of representation, notoriety, gender, and identity.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514116509830,"sku":"L0798","price":3500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/l0798.jpg?v=1772488618"},{"product_id":"marianne-and-pat-2018","title":"Alex Prager: Marianne and Pat, 2018","description":"\u003cp\u003eAperture is pleased to release a new limited-edition photograph by the artist Alex Prager, whose work is featured in \u003cem\u003eAperture\u003c\/em\u003e Issue #231: “Film \u0026amp; Foto.”\u003cbr\u003e\u003cbr\u003ePrager is a photographer and filmmaker, based in Los Angeles, who creates elaborately staged scenes that draw inspiration from a wide range of influences and references, including Hollywood cinema, experimental films, popular culture, and art history. She deliberately casts and stages all of her works, merging past and contemporary sources to create a sense of ambiguity. Her visually arresting images are familiar yet uncanny, depicting worlds that synthesize fiction and reality. Each photograph captures a moment frozen in time, inviting the viewer to complete the story and speculate about the narrative content. Much of her work, like \u003cem\u003eMarianne and Pat\u003c\/em\u003e, often makes the viewer aware of the voyeuristic nature of photography and film, establishing the uneasy feeling of intruding upon a potentially private moment.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514127552646,"sku":"L0808","price":1500.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/L0808.jpg?v=1772311392"},{"product_id":"south-city-2018","title":"Matthew Porter: South City, 2018","description":"\u003cp\u003e“I was inspired by the way a car can steal the show. Think of iconic car chases in films—it’s often about spectacle and has little to do with advancing a narrative. And that’s the way I think of these cars, as dead-end technologies, but also as high-performance machines which, for their audience, sought to reflect the spirit and attitudes of their time.”—Matthew Porter\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSouth City\u003c\/em\u003e, 2018 is a work from his widely popular \u003cem\u003eFlying Cars\u003c\/em\u003e series. Here we see the classic 1969 Chevrolet Chevelle captured midair over city streets. Each photograph in the series is a freeze-frame—a hypothetical film still from a pulp fiction scene. A hybrid of hyperreality and studied topographic description, part bittersweet nostalgia, and part ironic reinvention of a classic American trope.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514130993286,"sku":"LB112","price":3000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-LB112-1_734a217c-5a30-4cfb-a48c-829c886addd1.jpg?v=1763776441"},{"product_id":"still-life-with-eggs-and-avocados-2018","title":"Daniel Gordon: Still Life with Eggs and Avocados, 2018","description":"\u003cp\u003eAperture is pleased to release this very special limited-edition print, accompanied by the upcoming and highly collectible limited-edition pop-up book, \u003cem\u003eHouseplants\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eA work of art itself, this pop-up book renders Daniel Gordon’s sculptural forms into a new layer of materiality, animating them in pop-up performance. Inspired by his interest in the popularity of certain subjects on the internet—houseplants among them—Gordon meticulously cuts up pictures found online to create sculptural and fantastical still lifes. He uses photography not to show reality, but to present a new version of it. “Without seams and faults and limitations, my project would be very different,” Gordon says. “The seamlessness of the ethers is boring to me, but the materialization of that ether, I think, can be very interesting.” His pieces are a perfect marriage of digital and analog processes and of high and low artistic references. Complicating what is understood as sculpture, photography, painting, and the cutout, this limited-edition print, and pop-up book set brings Gordon’s art practice to life, both in your hands and on the wall.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514139775110,"sku":"LB141","price":0.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb141-1.jpg?v=1772303284"},{"product_id":"indian-woman-sitting-2005","title":"Wendy Red Star: Indian Woman Sitting, 2005","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAperture is pleased to release this special limited-edition photograph by Apsáalooke\/Crow artist Wendy Red Star on the occasion of the publication of the artist’s first comprehensive monograph, \u003c\/span\u003e\u003ca href=\"https:\/\/aperture.org\/books\/wendy-red-star-delegation\/\"\u003e\u003cem\u003eDelegation\u003c\/em\u003e\u003c\/a\u003e\u003cspan\u003e.\u003cbr\u003e\u003cbr\u003eRed Star uses photography to recast historical narratives with wit, candor, and a feminist, Indigenous perspective. This work, from the series \u003c\/span\u003e\u003cem\u003eIndian Woman\u003c\/em\u003e\u003cspan\u003e, is an early self-portrait, which the artist uses to acknowledge and complicate the power dynamics of Native and European culture. Red Star centers Native American life and material culture through imaginative self-portraiture, vivid collages, archival interventions, and site-specific installations. She is constantly questioning the role of the photographer in shaping Indigenous representation.\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514143641734,"sku":"LB156","price":4000.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb156.jpg?v=1772299857"}],"url":"https:\/\/store.aperture.org\/collections\/past-editions.oembed?page=2","provider":"Aperture","version":"1.0","type":"link"}