{"title":"Animals","description":"\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003eFor the wild at heart.\u003c\/p\u003e","products":[{"product_id":"untitled-from-the-series-the-belly-of-the-whale-2008-2009","title":"Robin Friend: Untitled, from the series The Belly of the Whale, 2008–09","description":"\u003cp\u003e“The Belly of the Whale [series] is affected by the cumulative consciousness and experiences of the past. The shipwreck, the white horse, [and] the light at the end of the tunnel are archetypal images and ideas that resonate and reoccur throughout history: [in] the arts, mythology, and religion. Standing before the subject, I know if I am witnessing the ‘Belly.’ It is difficult to explain: a mood, a balance, a sensibility, nostalgia, nihilism, and melancholy all rolled into one. It is instinctive and primeval and relies on one's capacity to imagine and comprehend.”—Robin Friend\u003c\/p\u003e\n\u003cp\u003eRobin Friend’s \u003cem\u003eUntitled (Horse)\u003c\/em\u003e was featured in \u003cem\u003ereGeneration 2: Tomorrow's Photographers Today\u003c\/em\u003e, the second book in Aperture’s series shining a spotlight on the next generation’s rising stars. Friend creates his images by using a large-format camera, which enables him to work accurately with light, color, and focus. With his landscapes, he seeks to share a physical encounter. 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His vision of Tokyo has navigated a finely nuanced line between sterility and sentimentality, presenting a sleek, contemporary vision of a postmodern megalopolis populated by a new generation of video-game aficionados and enervated fashionistas, but also the site of cutting-edge architectural experiments and quiet rooftop gardens. Homma deftly picks up the baton from earlier Japanese photographers such as Daido Moriyama, and crafts a contemporary portrait of the modern-day metropolis that is both cinematic and complex.\u003c\/p\u003e\n\u003cp\u003eAs Ivan Vartanian writes of the artist’s most current work, “Homma’s once dispassionate eye now shows a modicum of connectivity, of personal involvement. The photographer even inserts himself into his photographs and begins to address themes that are somewhat private: his studio, his desk, his dog, and even, as in his retitling of an earlier 2001 photograph \u003cem\u003eMyself\u003c\/em\u003e. The work \u003cem\u003eMy dog, Royce 1, 2005\u003c\/em\u003e chosen as the cover image for the artist’s monograph, is just such an example of this connectivity.”\u003c\/p\u003e\n\u003cp\u003eThis limited edition print coincided with the release of \u003cem\u003eTakashi Homma: Tokyo\u003c\/em\u003e (Aperture, 2008), the first Homma volume to be published for an international audience. 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It exemplifies Jenshel’s view of aquariums, which he describes as having more to do with “people’s obsession not only to collect and contain but to neatly package nature.” Colorful and theatrical, this limited edition photograph honors the aquarium by making it a place “not just of amusement but of revelation.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514060279942,"sku":"L0070","price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/l0070.jpg?v=1772475813"},{"product_id":"combo-nature-preserve-6-mauritius-2004","title":"Harri Kallio: Combo Nature Preserve #6, Mauritius, 2004","description":"\u003cp\u003e“Somehow it was hard to believe that once upon a time there really had been something like the dodo out there in the world.”—Harri Kallio\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCombo Nature Preserve #6\u003c\/em\u003e, Mauritius, 2004, was published in the summer 2006 issue of \u003cem\u003eAperture\u003c\/em\u003e magazine alongside a text by Carlo McCormick. Researching the available historical and anatomical sources, Kallio produced life-size reconstructions of the long-extinct dodo bird in their natural habitat of Mauritius Island, the only place on earth where dodos ever existed.\u003cbr\u003e\u003cbr\u003eKallio’s project \u003cem\u003eThe Dodo and Mauritius Island: Imaginary Encounters\u003c\/em\u003e is a dialogue between the mythical, art historical, and biological dodo. This strange, flightless giant pigeon was eradicated between 1662 and 1693 when Dutch settlers destroyed the dodos’ forest habitat and introduced invasive predators that the dodo had never had before. The project involved extensive sculpture processes and construction, photography, and digital-imaging tools. The resulting work is a visual interpretation of a meeting between the viewer and the dodos in their seventeenth-century natural habitat.\u003cbr\u003e\u003cbr\u003eThanks to Lewis Carroll’s \u003cem\u003eAlice in Wonderland\u003c\/em\u003e (1865); the dodo is our most well-known extinct species, living on in the collective memory of the Western world. “I was fascinated about the persistence of the dodo as a character appearing in so many different contexts,” explains Kallio. “As an artist, seeing my dodo sculptures in the Mauritius Island landscape was a reward on its own.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514061721734,"sku":"L0116","price":600.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0116-1_45b657b7-c1a6-4378-a658-46e6d22d5703.jpg?v=1763775477"},{"product_id":"sustenance-95-2003","title":"Neeta Madahar: Sustenance 95, 2003","description":"\u003cp\u003e“What we share with Madahar is a sense of wonder.”—Carlo McCormick\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSustenance 95\u003c\/em\u003e, 2003, is from Neeta Madahar’s 15-image \u003cem\u003eSustenance\u003c\/em\u003e series, which documents various species of birds coming to feed at the apartment balcony of her former home in Framingham, Massachusetts.\u003cbr\u003e\u003cbr\u003eIn recent years, Madahar’s work has explored how animal and plant life adapt to a set of environmental circumstances both man-made and natural. She is fascinated by the temporality of nature and how perpetual cycles of difference and similarity coexist. “[They are] so similar to us in the way they feed and socialize, in their patterns of behavior, that they became perfect symbols . . . as a natural extension of ourselves,” Madahar says.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAperture\u003c\/em\u003e magazine featured this image in the Summer 2005 Issue, alongside text written by Carlo McCormick. The dioramic feel of the images in this series is intentional. Each Iris print on Somerset velvet paper (often associated with watercolors) is an exaggerated impression of reality. Formal devices such as artificial lighting and the selective use of focus and magnification create slippage between the perception of what is natural or manufactured.\u003cbr\u003e\u003cbr\u003eColor, too, is used deliberately to seduce the viewer into a closer and more protracted examination of the works. 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Utilizing a variety of materials, Martin \u0026amp; Muñoz constructs miniature scenes and insert them into snow globes. Martin works on the sets, painting and positioning the figures in constructed environments. The final compositions are captured in photographs by Muñoz, which are meticulously stitched and adjusted digitally for the final effect. These desolate landscapes become monumental in scale through the prints. As a point of emphasis, the wilderness is the main character. The tress and the rocks bear silent witness and the ever-present drifting snow promises to cover the whole catalogue of miseries in a silent blanket of white. This digital c-print is printed on Fuji Crystal Archive paper is signed and numbered by Walter Martin and Paloma Muñoz and sold in an archival paper folder.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514066669702,"sku":"L0084","price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0084-1_e2f21294-34ec-4caf-8267-2378a7f868c3.jpg?v=1763775521"},{"product_id":"ladybug-2006","title":"Regine Petersen: Ladybug, 2006","description":"\u003cp\u003e“Regine Petersen bases her work on the vagaries of her own thoughts. She covers many different topics in a wide variety of genres, thereby emphasizing the ambiguity of photography, which similarly cannot be pinned down. Observing Petersen’s works—whether landscapes, portraits, or interior scenes—is akin to setting out on a walk that follows the photographer's dreams, which she lets drift freely. Following the photographer’s wanderings, the viewer is encouraged to return to his or her own thoughts.”—Nathalie Herschdorfer\u003cbr\u003e\u003cbr\u003eAperture is pleased to offer our collecting audience Regine Petersen’s \u003cem\u003eLadybug\u003c\/em\u003e, as featured in \u003cem\u003ereGeneration 2: Tomorrow’s Photographers Today\u003c\/em\u003e, the second book in the esteemed series shining a spotlight on the next generation’s rising stars.\u003cbr\u003e\u003cbr\u003eInspired by the many artists from the original 2005 \u003cem\u003ereGeneration\u003c\/em\u003e publication who went on to develop international careers, Aperture has prepared limited editions by several of the 2010 volume’s participating artists, some of whose work will be available for purchase for the very first time. The sale of these prints will help support these emerging artists—and give collectors an opportunity to acquire their work early in their careers.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514070831238,"sku":"L0324","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0324-1_881b5d7e-4298-44b3-a25b-bc7c4af432a5.jpg?v=1763775562"},{"product_id":"animal-127-2009","title":"Elliot Ross: Animal (127), 2009","description":"\u003cp\u003eIntrigued by a portrait of his late cat, Ross wondered whether or not the cat consciously looked into the camera while the photograph was being taken. Ross then began to ask himself questions such as, “What was the cat thinking?” and “In what ways is the consciousness of an animal different from that of a human being?” As the artist states, “the title indicates this is the 127th in a series of photographs of animals. The animals are depicted without defined context, in a space where the figure has little if any background. I think this allows each image to be seen as an experience, as if we are encountering an individual of another species unexpectedly, coming upon it perhaps even in that most emotionally vulnerable of places: a dream. For similar reasons, I haven’t used species names to identify them. And I haven’t stated the locations at which they were photographed because each ‘photographic record’ is only the beginning of a much longer process, one involving a hands-on, drawing-like use of imaging software to apply ink to paper.”\u003cbr\u003e\u003cbr\u003eGoing on to photograph animals from around the world, Ross creates images laden with emotion. 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My goal continues to be to catch a society of interspecies relationships and their activities—my imaginary world comes to life.”—Robin Schwartz\u003cbr\u003e\u003cbr\u003eRobin Schwartz’s work was first published by Aperture in the monograph \u003cem\u003eAmelia’s World\u003c\/em\u003e (2008), part of the \u003cem\u003eTinyvices\u003c\/em\u003e book series. Within this body of work, the artist makes meticulously composed, disquieting portraits of her daughter, Amelia, interacting with a range of exotic animals, from monkeys to kangaroos. Her startling portraits reference painting and often hint at open-ended narratives and fairytales while illuminating our fascination with the animal world.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514075844742,"sku":"L0175","price":420.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0175-1_73f425eb-05b8-4e8f-81b3-99638b048013.jpg?v=1763775600"},{"product_id":"shibu-crab-eating-macaque-male-1-year-old","title":"Robin Schwartz: Shibu, Crab Eating Macaque, male, 1 year old","description":"\u003cp\u003e“Each primate’s unique personality is recorded. I incorporated elements from paintings, illustrations and my fantasy images into the photographs.”—Robin Schwartz\u003cbr\u003e\u003cbr\u003eAperture first highlighted Robin Schwartz’s work in the publication \u003cem\u003eAmelia’s World\u003c\/em\u003e (Aperture, 2008) as part of the \u003cem\u003eTinyvices\u003c\/em\u003e volumes, including photographs of her daughter Amelia with a menagerie of animals. In \u003cem\u003ePrimate Portraits\u003c\/em\u003e, the artist’s foci are apes and monkeys, and all pictures are made within three feet of the subjects and are never shot through bars or Plexiglas cages. Each of the primates photographed in the series is privately cared for, contributing to the diversity of relationships, environments, and personal possessions that the artist captures within her frame. Schwartz has an uncanny empathy with her animal subjects, allowing for an intensity of eye contact. 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Outside Mbarara, Kiruhura district, Western Region, Uganda, 2012","description":"\u003cp\u003eFor the past two years, Daniel Naudé has focused on photographing cattle in societies where these animals are revered and venerated. This is a position far removed from the Western world where they are mostly seen as productive sources of milk, meat, and skins.\u003cbr\u003e\u003cbr\u003eNaudé first photographed the Ankole cattle in Uganda, renowned for their majestic horns which ideally curve out and then inward, forming a shape like a lyre. In the days before Christianity arrived in this part of Africa, the Bahima people made offerings of milk to herdsman gods, and their language has many names for cattle that describe their characteristics. Even now, the keepers of these animals live pastoral lives, their culture deeply rooted in these cattle. 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They bear examination not only for their singular charm but also for having established a vocabulary of the animal studio portrait, with Chandoha’s signature look: clean, brightly colored backdrops and high-key “glamour” backlighting of his tiny, fuzzy subjects.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514110054534,"sku":"LB012","price":250.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-LB018-1_b822479b-3c70-47c8-9556-76805578744b.jpg?v=1763776179"},{"product_id":"tabby-kitten-checking-the-dictionary-1980","title":"Walter Chandoha: Tabby Kitten Checking the Dictionary, 1980","description":"\u003cp class=\"MsoNormal\"\u003eAperture is pleased to present a series of limited-edition photographs by the cat photographer, Walter Chandoha, in celebration of the publication \u003ci\u003eWalter Chandoha: The Cat Photographer\u003c\/i\u003e (Aperture, 2015).\u003cbr\u003e\u003cbr\u003eWithin the genre of commercial animal photography, Walter Chandoha is a master. 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They bear examination not only for their singular charm but also for having established a vocabulary of the animal studio portrait, with Chandoha’s signature look: clean, brightly colored backdrops and high-key “glamour” backlighting of his tiny, fuzzy subjects.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514110087302,"sku":"LB016","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb016.jpg?v=1772327343"},{"product_id":"curly-tailed-gray-persian-kitten-1951","title":"Walter Chandoha: Curly Tailed, Gray Persian Kitten, 1951","description":"\u003cp\u003eAperture is pleased to present a series of limited-edition photographs by the cat photographer, Walter Chandoha, in celebration of the recent publication \u003ci\u003eWalter Chandoha: The Cat Photographer\u003c\/i\u003e (Aperture, 2015).\u003cbr\u003e\u003cbr\u003eWithin the genre of commercial animal photography, Walter Chandoha is a master. His photographs of cats, in particular, have appeared in the pages of \u003ci\u003eNational Geographic\u003c\/i\u003e and \u003ci\u003eLife\u003c\/i\u003e magazine and been absorbed into the public subconscious via posters, pet-food packaging, T-shirts, and other uses. The Internet is awash with cat pictures, and Chandoha’s cat pictures might be seen as the forefather of them all. They bear examination not only for their singular charm but also for having established a vocabulary of the animal studio portrait, with Chandoha’s signature look: clean, brightly colored backdrops and high-key “glamour” backlighting of his tiny, fuzzy subjects.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514110120070,"sku":"LB017","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb017.jpg?v=1772327018"},{"product_id":"five-siamese-on-blue-steps-1984","title":"Walter Chandoha: Five Siamese on Blue Steps, 1984","description":"\u003cp\u003eAperture is pleased to present a series of limited-edition photographs by the cat photographer, Walter Chandoha, in celebration of the recent publication \u003ci\u003eWalter Chandoha: The Cat Photographer\u003c\/i\u003e (Aperture, 2015).\u003cbr\u003e\u003cbr\u003eWithin the genre of commercial animal photography, Walter Chandoha is a master. His photographs of cats, in particular, have appeared in the pages of \u003ci\u003eNational Geographic\u003c\/i\u003e and \u003ci\u003eLife\u003c\/i\u003e magazine and been absorbed into the public subconscious via posters, pet-food packaging, T-shirts, and other uses. The Internet is awash with cat pictures, and Chandoha’s cat pictures might be seen as the forefather of them all. They bear examination not only for their singular charm but also for having established a vocabulary of the animal studio portrait, with Chandoha’s signature look: clean, brightly colored backdrops and high-key “glamour” backlighting of his tiny, fuzzy subjects.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514110152838,"sku":"LB013","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb013.jpg?v=1772326777"},{"product_id":"tabby-kitten-sleeping-1973","title":"Walter Chandoha: Tabby Kitten Sleeping, 1973","description":"\u003cp\u003eAperture is pleased to present a series of limited-edition photographs by the cat photographer, Walter Chandoha, in celebration of the recent publication \u003ci\u003eWalter Chandoha: The Cat Photographer\u003c\/i\u003e (Aperture, 2015).\u003cbr\u003e\u003cbr\u003eWithin the genre of commercial animal photography, Walter Chandoha is a master. His photographs of cats, in particular, have appeared in the pages of \u003ci\u003eNational Geographic\u003c\/i\u003e and \u003ci\u003eLife\u003c\/i\u003e magazine and been absorbed into the public subconscious via posters, pet-food packaging, T-shirts, and other uses. The Internet is awash with cat pictures, and Chandoha’s cat pictures might be seen as the forefather of them all. They bear examination not only for their singular charm but also for having established a vocabulary of the animal studio portrait, with Chandoha’s signature look: clean, brightly colored backdrops and high-key “glamour” backlighting of his tiny, fuzzy subjects.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514110185606,"sku":"LB015","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/lb015.jpg?v=1772326660"},{"product_id":"precious-washing-her-kitten-1965","title":"Walter Chandoha: Precious Washing Her Kitten, 1965","description":"\u003cp\u003eAperture is pleased to present a series of limited-edition photographs by the cat photographer, Walter Chandoha, in celebration of the recent publication \u003ci\u003eWalter Chandoha: The Cat Photographer\u003c\/i\u003e (Aperture, 2015).\u003cbr\u003e\u003cbr\u003eWithin the genre of commercial animal photography, Walter Chandoha is a master. His photographs of cats, in particular, have appeared in the pages of \u003ci\u003eNational Geographic\u003c\/i\u003e and \u003ci\u003eLife\u003c\/i\u003e magazine and been absorbed into the public subconscious via posters, pet-food packaging, T-shirts, and other uses. The Internet is awash with cat pictures, and Chandoha’s cat pictures might be seen as the forefather of them all. They bear examination not only for their singular charm but also for having established a vocabulary of the animal studio portrait, with Chandoha’s signature look: clean, brightly colored backdrops and high-key “glamour” backlighting of his tiny, fuzzy subjects.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514110218374,"sku":"LB014","price":275.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/LB018-2.jpg?v=1772226649"},{"product_id":"charger-bandhavgarh-national-park-india-1996","title":"Michael “Nick” Nichols: Charger, Bandhavgarh National Park, India, 1996","description":"\u003cp\u003eIn every one of his images, Michael “Nick” Nichols touches the very spirit of wildness. In this photograph, we meet our cover boy, Charger. Nick had learned that \u003cem\u003eNational Geographic\u003c\/em\u003e had wanted to do a story on tigers and he wanted the assignment. For this project, he was in the field for thirteen months altogether—traveling through Russia, Indonesia, and Thailand—but focused his work on the wild tigers in India, where he met the jungle’s dominant male tiger, nicknamed Charger.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA Wild Life\u003c\/em\u003e author Melissa Harris writes of this powerful image of Charger, “His back paws barely touch the rocks as he pushes off from a cliff, weight forward, body outstretched, taut, muscular, front paws seemingly relaxed, his gaze bright and directed upward. The supple grace of the animal’s thrust over the void and his propulsive power is extraordinary: the image practically drips of adrenaline.”\u003cbr\u003e\u003cbr\u003eNichols’s tiger portraits are the result of “strategic timing, exasperating trial and error, and gifts of serendipity,” she writes. “Nick is a photojournalist working in a time of crisis. Habitat and species are continually threatened by humans. For nearly thirty years, Nichols has conspired with scientists, naturalists, journalists, and activists to take on these issues. Wildlife photography is not the right term to describe what Nick does. Nick approaches his work in this reportorial tradition: he is a photojournalist working in the wild.”\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514115100806,"sku":"LB045","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-LB045-1_8f7e3d32-7ccc-4ff3-9f78-57ed11cd858c.jpg?v=1763776280"},{"product_id":"virtues-family-samburu-national-reserve-kenya-2007","title":"Michael “Nick” Nichols: Virtues family, Samburu National Reserve, Kenya, 2007","description":"\u003cp\u003eIn every one of his images, Michael “Nick” Nichols touches the very spirit of wildness. This image was made at the Samburu National Reserve in Kenya. Until this point Nichols had not encountered elephants who were not fearful of man.\u003cbr\u003e\u003cbr\u003eMelissa Harris, author of \u003cem\u003eA Wild Life\u003c\/em\u003e, notes, “Photographing individual elephants and their families in conducive circumstances allowed for an intensity of observation over long periods each day, for many days in a row. This pacing took Nick’s understanding, and thus his reportage, to new levels of intimacy and intricacy. Still, the conditions had to be right. Until this point, Nick says, ‘I had never photographed elephants who were not afraid. . . . The forest elephants in Congo, and then the elephants in Chad . . . knew man as hunter. I’d get downwind of them, so I could sneak up on them for a photograph, but there was never the chance to peacefully and openly observe behavior.’”\u003cbr\u003e\u003cbr\u003eWith the Samburu elephants, Nichols was able to take a “concentric-circles approach” to examine individual animals, family structures, and larger clans—all within a specific environment. Harris states, “Nick is a photojournalist working in a time of crisis. Habitat and species are continually threatened by humans. For nearly thirty years, Nichols has conspired with scientists, naturalists, journalists, and activists to take on these issues. Wildlife photography is not the right term to describe what Nick does. Nick approaches his work in this reportorial tradition: he is a photojournalist working in the wild.\"\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514115133574,"sku":"LB046","price":650.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-LB046-1_dab86317-1945-4d6d-8de5-734aa8b76fcb.jpg?v=1763776283"},{"product_id":"imabari-support-2016","title":"Charlotte Dumas: Imabari, Support, 2016","description":"\u003cp\u003eIn November 2014, photographer Charlotte Dumas began a project portraying the eight native horse breeds of Japan. Some exist in such low numbers that their future is uncertain. Many are confined to small islands, so have never been able to migrate. Each image says something about the breed’s geographical origin and the people who share its territory.\u003c\/p\u003e\n\u003cp\u003eThe series is, says the artist, a “natural evolution from several preceding series dealing with working horses: polices horses in Rome, racehorses in Paris and Palermo, and the horses of Arlington National Cemetery in Virginia and the wild horse of Nevada.” Through meeting a British horse Logger who was on his way to Japan to teach a course in horse logging, Dumas was able to connect with a preservationist at the Afan Woodland Trust in Nagano, where the Kiso horse is native. After extensive research of the eight native breeds, the idea of photographing them in their natural environments took form.\u003c\/p\u003e\n\u003cp\u003eDumas says of her work, “The notion that the state of humanity can be read and studied by the way we relate to animals is a vital thread in my work. My choice of subject relates directly to the way we use, co-exist with, and define specific animals, assigning various symbolisms to them as well as our own personal reflections.”\u003c\/p\u003e\n\u003cp\u003eInformed by what she calls the “traditional ingredients” of 17th-century Dutch painting, Dumas approaches her work exquisitely attuned to composition, light, and the poses of classical portraiture. By shooting these animals at a range that allows intimacy without invasiveness, Dumas effectively humanizes them, their faces and bodies express an uncanny psychological depth, which seems both innate and ascribed.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514116771974,"sku":"L0797","price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0797-1_45dc2841-ab48-4a7d-a771-fcd2db05e917.jpg?v=1763776347"},{"product_id":"ahmets-bird-quartiers-nord-marseille-2016","title":"Alessandra Sanguinetti: Ahmet’s Bird, Quartiers Nord, Marseille, 2016","description":"\u003cp\u003eIn the compelling \u003cem\u003eLe Gendarme Sur La Colline,\u003c\/em\u003e photographer Alessandra Sanguinetti explores her vision of France, in which old traditions persist even while they fray and shift in relation to contemporary stresses, including multiculturalism. The work presents an intuitive, often lyrical journey that is undercut with a sense of tension about what it means to be French—and to photograph the French—today.\u003cbr\u003e\u003cbr\u003eThis photograph, taken in 2016 as part of a commission by Fondation d’entreprise Hermès and Aperture Foundation, introduces Ahmet, a kurdish refugee from Turkey living in the projects of north Marseille with his family. Called “Immersion,” the commission program seeks to expand artistic dialogue between France and the US, while investing in creativity, and providing a platform for an important emerging artist to create a major new body of work.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514119164038,"sku":"L0TBD2","price":750.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-L0TBD2-1_eb773221-79dc-4d62-87c1-f5ef4e41bd85.jpg?v=1763776361"},{"product_id":"an-my-le-on-contested-terrain-limited-edition-set","title":"An-My Lê: On Contested Terrain Print and Book Set","description":"\u003cp\u003eAperture is pleased to release this very special limited-edition print by An-My Lê, accompanied by a signed copy of the artist’s survey, \u003cem\u003eOn Contested Terrain\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003eTaken for the series \u003cem\u003eSilent General\u003c\/em\u003e, this previously unpublished image is tranquil on the surface, yet in the context of the series, poetically alludes to the political polarization of the landscape along the border of Mexico and the United States. The series \u003cem\u003eSilent General\u003c\/em\u003e takes its title from Walt Whitman’s “Specimen Days” (1882), an autobiographical recounting of his time spent tending to wounded Union and Confederate soldiers during the Civil War. Lê made her first photographs for this series in New Orleans, when Confederate statues started coming down in 2015. Since then, she has gathered different, sometimes conflicting viewpoints on a twenty-first-century cross-country road trip. Lê’s designation of “Fragments” within this series is an homage to the literary structure of Specimen Days and a poetic way of sequencing the pictures.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514134007942,"sku":"LB139","price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-LB139-1_6f050f2c-e6a9-4e0e-900e-609c86f24c3a.jpg?v=1763776498"},{"product_id":"fugitive-sunset-2020","title":"Roe Ethridge: Fugitive Sunset, 2020","description":"\u003cp\u003e“Roe Ethridge’s images capture the unique and sometimes sublime weirdness of Rockaway, a place I love for its racial and economic diversity, all the while living here in trepidation about its infrastructural vulnerabilities. Rockaway is a hub of contradictions. It’s New York’s face to the majesty of the open Atlantic Ocean. It’s the wildness of Jamaica Bay and Fort Tilden. And, encompassing the “uptown” Rockaway neighborhoods of Belle Harbor and Breezy Point, it’s one of the city’s most politically conservative sectors. (They adore the Queens boy Donald Trump uptown.) Rockaway Beach is “downtown,” a landscape blotted by tightly packed, gambrel-roofed houses clad in vinyl siding, desultory strip malls, blocks of nondescript brick housing towers, and a tremendous amount of telephone poles that in other parts of the city were disappeared but here stand as sentinels of urban grit. Ethridge’s images show all that—bits of beauty spattered with dollops of blight.”\u003cbr\u003e\u003cbr\u003e—Eva Diaz, from \u003ca href=\"http:\/\/aperture.org\/magazines\/aperture-242\"\u003e\u003ci\u003eAperture\u003c\/i\u003e Issue #242: “New York”\u003c\/a\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514141216902,"sku":"LM052","price":1250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-LM052-1_2c1163f1-33df-4b4e-b167-925efc04e7b0.jpg?v=1763776554"},{"product_id":"untitled-2003","title":"Ninagawa Mika: Untitled, 2003","description":"\u003cp\u003e\u003cspan style=\"color: black;\"\u003eThis work is featured in \u003cspan class=\"whitespace-normal\"\u003e\u003ci\u003eI’m So Happy You Are Here: Japanese Women Photographers from the 1950s to Now\u003c\/i\u003e\u003c\/span\u003e\u003ci\u003e,\u003c\/i\u003e which surveys the work of 25 Japanese women photographers from the 1950s to the present. The volume challenges traditional narratives within the history of Japanese photography by centering the perspectives, innovations, and lived experiences of women artists. Through portfolios, critical essays, and historical contextualization, the publication reveals a rich spectrum of approaches—ranging from documentary and street photography to experimental and conceptual practices.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"caret-color: rgb(0, 0, 0); font-variant-caps: normal; orphans: auto; text-align: start; widows: auto; -webkit-text-stroke-width: 0px; word-spacing: 0px;\" data-start=\"1673\" data-end=\"2103\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan style=\"color: black;\"\u003eOriginally published as a photobook in 2003,\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003e\u003cem data-start=\"491\" data-end=\"506\"\u003eLiquid Dreams\u003c\/em\u003e\u003cspan class=\"apple-converted-space\"\u003e \u003c\/span\u003eis a vibrant photographic series characterized by Ninagawa’s signature hyper-saturated palette and experimental compositions. In these images, ordinary aquatic life is transformed into shimmering, dreamlike forms. Goldfish, water, and refracted light dissolve into kaleidoscopic fields of color, blurring the boundaries between nature and fantasy. The series exemplifies Ninagawa’s ability to elevate the everyday into the theatrical, crafting immersive visual environments that are at once sensorial and surreal.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp style=\"caret-color: rgb(0, 0, 0); font-variant-caps: normal; orphans: auto; text-align: start; widows: auto; -webkit-text-stroke-width: 0px; word-spacing: 0px;\" data-start=\"1673\" data-end=\"2103\" data-is-last-node=\"\" data-is-only-node=\"\"\u003e\u003cspan style=\"color: black;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe proceeds from the sale of this print directly supports the artist and Aperture’s nonprofit publishing, educational, and public programs.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514161041542,"sku":"LB183","price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-LB183-1_bc46fe22-7cc7-444b-927c-cec386110a0b.jpg?v=1763776659"},{"product_id":"plate-vi-2022-from-the-series-plates-i-xxxi","title":"Lia Darjes: Plate VI, 2022; from the series Plates I–XXXI","description":"\u003cp\u003eDuring lockdown, the Berlin-based artist Lia Darjes relocated to her parents’ countryside home. In an essay by Jesse Dorris for the spring issue of \u003cem\u003eAperture\u003c\/em\u003e magazine, “Photography \u0026amp; Painting,” Darjes reflects on that time: “I was sitting in the garden one day, just thinking, ‘What’s next?’” she recalls. “Then I saw a squirrel jump onto our garden table, and I thought, ‘I wonder if I can recreate that.’” Despite her early passion for photojournalism, Darjes has long been seduced by the dramatic artifice of the Dutch \u003cem\u003evanitas\u003c\/em\u003e tradition. “I struggled, because I was always interested by still life, but it’s made up—arranged,” she says.\u003c\/p\u003e\n\u003cp\u003eThis photograph is part of the series \u003cem\u003ePlates I–XXXI\u003c\/em\u003e, the imaginative outcome of her first encounter with that neighborly squirrel. Inspired by that moment, she began orchestrating picnics and luncheons on tables in gardens of friends and family. She leaves behind delicate remnants of these meals, subtly coaxing future guests. Their movements, in turn, trigger the camera, which has been left in place for hours or even days. The result is a fairytale-like scene featuring a coal tit whose presence serves as a quiet testament to the space where the natural world and the human world gracefully intersect.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe proceeds from the sale of this limited-edition print and book set directly supports the artist and Aperture’s nonprofit publishing, educational, and public programs.\u003c\/p\u003e","brand":"Aperture","offers":[{"title":"Default Title","offer_id":42514161500294,"sku":"LM064","price":700.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/files\/Aperture-LM064-1_51d3fd49-19ec-48a2-939f-f92231414507.jpg?v=1763776663"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0585\/5399\/1302\/collections\/support_imabari_600px.jpg?v=1758872242","url":"https:\/\/store.aperture.org\/collections\/animal-prints.oembed","provider":"Aperture","version":"1.0","type":"link"}